Four writers from Heroika 1: Dragon Eaters tell all…

Reblogged from Terry Erwin’s Up Around the Corner…  http://uparoundthecorner.blogspot.com/2015/06/interview-of-authors-from-heroika.html#comment-form

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Heroika 1 Perfect promo 6&9FRIDAY, JUNE 12, 2015

Interview of Authors from Heroika: Dragon Eaters

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This interview is an unusual treat, in that I am interviewing four authors from the recently released anthology,Heroika: Dragon Eaters

The Authors:

  1. L. Butcher is the British author of the Light Beyond the Storm Chronicles series and several short stories in the fantasy and fantasy romance genre. She is an avid reader and creator of worlds, a poet and a dreamer. When she is grounded in the real world she likes science, natural history, history and monkeys. Her work has been described as ‘dark and gritty’.

Mark Finn is a fantasy and science fiction, essayist, and playwright. He is recognized as an authority on the Texas author Robert E. Howard and has written extensively on that subject.In 2007 he was nominated for World Fantasy Special Award: Professional.

Seth (S.E.) Lindberg lives near Cincinnati, Ohio working as a microscopist by day. Two decades of practicing chemistry, combined with a passion for the Sword & Sorcery genre, spurs him to write graphic adventure fictionalizing the alchemical humors.

He co-moderates a Goodreads- Sword & Sorcery Group and invites you to participate.

Cas Peace is a fantasy and non-fiction writer from the UK. She’s also a singer/songwriter, horse-riding instructor, cactus grower, and dog lover.

What is one of the most interesting novels you’ve enjoyed in the past year and why?

Butcher: IX by Andrew Weston – it’s a time travelling heroic historical sci-fi. What attracted me to this book was the fact some of the main characters are from the missing IX Legion from Rome. It’s a fun book, with monsters (which aren’t what you think they are), adventure, courage, alternate history, space ships and much more.

Finn: City of Thieves, by David Benioff. A wonderful, picaresque story about two unlikely traveling companions forced into service during the Siege of Leningrad. Wonderful writing and really well-executed on all levels.

Lindberg: Griots: A Sword and Soul Anthology: This anthology marks the catalyzing moment of the sub-genre “Sword & Soul” Charles R. Saunders is credited with starting the sub-genre with his Imaro tales (~1980). In 2011, Milton J. Davis (fellow chemist and Heroika author) expanded the front with this collection, including contributions from the Soul-champion himself, Saunders. Named after African storytellers who relied on the oral traditions, “Griots” is inspiring, unique, and history making.

Peace: I think that would have to be “The IX” by Andrew Weston. Part of the reason stems from the fact that I copy-edited this book, which I thoroughly enjoyed, and part comes from Andrew’s deft handling of his characters’ differing historical origins and the way this affects their contributions to the problems they face in the novel. I found the whole thing fascinating.

What is one technique or method that you’ve used to improve your writing?

Butcher: Reading. The more a writer reads, especially in a wide field of styles, the more one can find one’s own style and learn the rules.

Finn: I always read back out loud what I have written the day before. Not only does it serve to remind me where I left off, but it helps me do an immediate copy check for awkward phrasing, overused words, etc.

Lindberg: Going mental! Balancing a fun career with the duties of a father too, there is scarce dedicated time for writing.  I’ve fallen into structured day dreaming, rehearsing scenes via each characters’ perspective. Being kept away from the writing-desk forces multiple iterations, but the frustration is rewarding when scenes are enhanced. This role playing can be done anywhere, anytime; a smartphone or notepad is needed to capture key dialogue and interactions to flesh out later.

Peace: I’m not sure if “used” is the right word, since that implies a deliberate act. Due to my editing and proofreading services I naturally get to read and work on a huge variety of different styles of writing. While picking my way through the vagaries of grammar, language, and syntax I often learn things I can apply to my own writing. It’s amazing how blind you can become to your own bad habits – copy-editing someone else’s really does help!

If it was possible, which author (living or deceased) would you like to share lunch with? What would you hope to discuss?

Butcher: That’s a tricky one… Dead – the list is long – Tolkien and discuss the influence of myth and fantasy, Alexandre Dumas to discuss revenge, Shakespeare – well he’s Shakespeare – did he write those plays or not? HG Wells – the direction of the future, Terry Pratchett on the fate of orangutans, Homer – and whether the nature of heroism has changed, Colin Wilson on the rise of the serial killer, and Jules Verne on subject of the fantastic. Now that’s a hell of a dinner party.

Living – I’m not sure….

Finn: This one is not fair, because in my capacity as an expert on Robert E. Howard, that question is a soft pitch. Obviously, me and Bob would talk about writing, creating musical phrases in prose, and as much as possible, I’d like to get him talking about his travels in Texas. That would be an entertaining lunch.
Lindberg: Darrell Schweitzer: I personally discovered his masterful Mask Of The Sorcerer (published 1995) and We Are All Legends (published 1981) weeks after I literally walked beside him in 2010 (Columbus OH, World Fantasy Convention). To think I could have talked to him in person! I missed my chance then, but I’ll be attending again in 2016. I hope he attends and I can buy him a coffee at least.

Peace: I think it would have to be Anne McCaffrey. Her Pern novels were what got me into fantasy when I was a teen, and I still admire her work. I’d love to learn what inspired her and what her publishing journey was like. I always hoped to visit her home in Ireland, but haven’t made it yet.

Tell us a little about your story found in the Heroika: The Dragon Eaters, a heroic fiction anthology.

Butcher: Of Blood and Scales” is a tale of courage, sacrifice and desperation. Oh and a great dragon…

It’s a tale of heroics to save a dying child and a land on the brink of war. It’s a tale of last resorts.

Finn:Sic Semper Draconis” posits a time in the mid-to-late 1980s when giant time gates open up and spew forth all of the atmosphere, as well as the flora and fauna, of the late Cretaceous Period, and viola! Dinosaurs in Texas. The state would waste no time organizing an armed resistance—much like game wardens—to thin out the dangerous ones. It’s (I hope) an entertaining take on the hunter, becoming the hunted, and back to the hunter again type of story.

Lindberg: “Legacy of the Great Dragon” shows the Father of Alchemy entombing his singular source of magic, the Great Dragon. According to Greek and Egyptian myth, the god Thoth (a.k.a. Hermes) was able to see into the world of the dead and pass his learnings to the living. One of the earliest known hermetic scripts is the Divine Pymander of Hermes Mercurius Trismegistus.Within that, a tale is told of Hermes being confronted with a vision of the otherworldly entity Pymander, who takes the shape of a ‘Great Dragon’ to reveal divine secrets. Legacy of the Great Dragon fictionalizes this Hermetic Tradition, presenting the Great Dragon as the sun-eating Apep of Egyptian antiquity.

Peace: When Janet first asked me to contribute to HEROIKA, I struggled for an idea. Then I realised St. George’s Day was coming up in the UK, and I decided to rewrite the story of St. George. I went back to his Middle Eastern roots and made him a knight of the Crusades, one who is doubting his faith. Then I tied the resolution of the story to an island right off the coast of my home county, Hampshire, adding a dash of druid for extra mysticism.

Links to where Heroika is available:

Heroika at Amazon US / Amazon UK

Where you can find these authors on the internet:

A.L. Butcher:

Blog: Library of Erana

At Goodreads
On Amazon

Twitter:@libraryoferana

Mark Finn:

Mark Finn on Wikipedia
On Amazon
Blog: Finn’s Wake

S.E. Lindberg:

Author Review Blog
On Amazon
At Goodreads
S.E. Lindberg on Twitter

S.E. Lindberg on Youtube

Cas Peace:

Author Website

On Amazon

A Week with the Dragon Eaters – Chris Morris

Chris Morris’ wonderful comments on Heroika 1: Dragon Eaters, orignally published at Library of Erana:  https://libraryoferana.wordpress.com/2015/05/24/a-week-with-the-dragon-eaters-chris-morris/

Today I welcome author, singer and songwriter Chris Morris and his character.

Character questions:

*I am Tarhunt the Storm God of the Hittites and the Hurri lands.

Why are you embarking on this quest? The dragon Illuyankas brought me battle and vanquished me, eating my heart and my eyes.  From that day on, I planned revenge, and now I will take it, using my own children, now grown, to triumph heroika revised 1over this dragon who eats the children of our country.thunderclapheroika perfect w c and j names

Where are you from? I live in the heavens, but my main temples are in Nerik and Hattusas

*Tell us about dragons in your world. This dragon Illuyankas demands human children for sacrifice.  He is a dragon of the sea, and sometimes he mates with human women.

Do you have a family? I begot upon the daughter of a poor man and a goddess  a  son named Sarruma, through whom I plot to avenge myself upon the dragon Illuyankas. And also I begat a daughter, to help me lay low this dragon and stop him and his family from eating Hattian children.

What is the best way to kill a dragon? To kill such a dragon, even a god must go carefully.  I will smite him with my lightnings, and overcome him with my thunder. I will strike the sea, and it will arise to my purpose.  I will summon the storms, and they will come to aid me. When he is weak I will pierce his eyes with my trident. I will make the sea boil with my wrath, and the dragon will die of my rage.

Do you see yourself as a hero? What is a hero?

To be a god, one must be a hero.  One must heed the peoples of the lands and bring good things upon them.  I bring the thunder, the lightnings, the rain to nourish beasts and crops. I fight beside my people when they war, striking down their enemies and even their gods.  I summon the rain and the wind and all weather.  In the Hatti lands, where we have 1,000 gods, I rule them all. For the sake of my peoples, I call the other gods to aid me and together we fight great battles.

Author questions: I am Christopher Crosby Morris, writer, narrator, and musician. I have been a defense policy analyst and futurist.

How do you define a hero? A hero is one who serves a cause greater than the self.

Why did you choose this era to write in? This anthology needed to start with a dragon from earliest days of myth. I chose the Hittite and Hurrian Illuyankas myth because it may well be the earliest battle of god and dragon ever told.

Give us a couple of lines about your characters.The narrator of my story is Kella, the actual narrator of one of tablets that record a variant of the Illuyankas myth. In my story Kella, high priest of Nerik, in the north of Hatti, tells a first-hand account of the second battle between the dragon and the storm god.  The hero of this tale is the storm god himself, Tarhunt, who begets two children specifically to help him defeat the dragon who previously had eaten his heart and his eyes. There is another variant of this story, in which Tarhunt’s daughter and her human lover get the dragon drunk and tie him up so that the gods can come down and slay him, but that is not the variant we tell. In our story, although the storm god’s daughter has a role, he himself fights this rich and predatory dragon…  and if I tell you more, I’ll give away the story’s ending.

Heroika: The Dragon Eaters is a dark heroic fantasy – how do you define that genre? Dark heroic fantasy was once called simply heroic fiction or mythology – which is always dark, always allegorical, and usually carries a moral whose value is shown in the story. For me, heroic fiction is any tale in which a character strives to put aside his personal well-being in search of a solution to problems greater than his own.

How much research did you need for your story? My wife, Janet Morris, and I have spent many years reading and researching Ancient Near Eastern myth and legend, some of mankind’s earliest stories. But researching in detail the myth of Illuyankas required not only a deep familiarity with the various versions of the story, but enough command of the early texts to be able to create and dramatize a single version out of several.

Have you written for anthologies before? How does it differ from writing a novel? I have written for a number of shared universes, including Janet Morris’ Heroes in Hell universe, Bob Asprin and Lynn Abbey’s Thieves’ world universe, C.J. Cherryh’s Merovingen Universe, and more.  I actually enjoy the challenges of working in a shared cosmos. I’ve also written stand-alone short stories, another different form. A novel allows you time to work with more layers of story than does a short story, in which space is very limited.  In a short story, you must know everything about the “past” of the characters but not tell all, only the climax. So compression of the most radical sort is needed for a short piece of fiction which must have a beginning, middle, and end in a confined space.

What other novels/short stories have you written? With Janet Morris, I have written a number of novels:  The Sacred Band is my favorite, with its grand canvas and heroic ethos. I have also co-written The Fish the Fighters and the Song-girl, Outpassage, The 40-Minute War, Threshold, Trust Territory, The Stalk, The Little Helliad, M.E.D.U.S.A, and other novels, including several by pseudonyms.

Tell us one unusual fact about yourself. Recently, I came to the craft of narration, and found that it allows me to mix my musical, technical, and prose skills in a new and most satisfying way.  I have  finished narrating The Sacred Band for Perseid Press, available on Audible.com, and am now in the final stages of producing I, the Sun for Perseid Press, which will be released on Audible.com for Perseid Press in June 2015.

Tidbit: My favorite recipe for dragon meat is simply to brush it with olive oil and vinegar and cook it over an open fire for about two hours, or until the skin is black and the scales fall off.

Author website/blog:  sacredbander.com

Facebook: https://www.facebook.com/christopher.c.morris.7?fref=ts

Amazon page:  http://www.amazon.com/Chris-Morris/e/B008L41JNO/ref=dp_byline_cont_book_2

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Library of Erana

Today I welcome author, singer and songwriter Chris Morris and his character.

Character questions:

*I am Tarhunt the Storm God of the Hittites and the Hurri lands.

Why are you embarking on this quest? The dragon Illuyankas brought me battle and vanquished me, eating my heart and my eyes.  From that day on, I planned revenge, and now I will take it, using my own children, now grown,  to triumph over this dragon who eats the children of our country.

Where are you from? I live in the heavens, but my main temples is are in Nerik and Hattusas

*Tell us about dragons in your world. This dragon Illuyankas demands human children for sacrifice.  He is a dragon of the sea, and sometimes he mates with human women.

Do you have a family? I begot upon the daughter of a poor man and a goddess  a  son named Sarruma, through…

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Is History the Agreed-Upon Lie: Heroika 1: Dragon Eaters, Janet Morris, ed.

First published at: http://ishistorytheagreeduponlie.blogspot.com/2015/05/dragons-throughout-history-by-janet.html

Saturday, May 23, 2015

DRAGONS Throughout History by Janet Morris

Our “History as the Agreed-Upon Lie” began for the human species when we first painted animals on cave walls and left our hand-prints there; then in Mesopotamia  where we cut decorations into monumental stones as early as the 12th century BCE.  Were there ever dragons —  real ones?  Many cultures refer to them in myth and legend: some had legs; some but not all breathed fire; some lived in the ocean, others on  land; some flew.
So perhaps dragons hide deep in our racial memory, going back to the days when we were the size of German Shepherds and lethal beasts ruled sea and ground and sky. Did we ever eat them?  Today, the most fierce and proud of Western civilization’s professional warriors may refer to themselves as “snake-eaters”  — not because of their dietary preferences, but because of their strength, determination, and competitiveness.For more than thirty years I, with my husband Chris Morris and other like-minded folk, have been exploring the heroic ethos as did Homer in his day and Shakespeare in his:  not simply the “monomyth” of Joseph W. Campbell, but also heroism and anti-heroism as it has shaped our myth and cultures, and still does today.  In novels we like to read and love to write, history and myth and legend mix and reinforce and explain and articulate one another as only the written word can do.  Writers have depended on myth, legend, and history in disparate portions to create humanity’s greatest literature — the better the writer, the bigger the serving that writer gives us of history turned dramatic and allegorical.We live today in a time where anti-heroes are ascendant, which makes exploring the heroic ethos even more interesting.  Was Achilles an anti-hero?  Or a hero?  Homer blamed him, at the start of the Iliad, for the many souls his petulance sent down to Hades; later, when the Amazon Queen Penthesilea insists on facing Achilles in single combat at Troy, he warns her in a demeaning fashion, then kills her with one blow to her breastplate.  Then, taking off her helmet, he falls in love with her and  kisses her dead mouth on the battlefield in an undisguised act of necrophilia.  Humans are complex, have always been.  Homer, better than most, showed us the manifold nature of the heroic heart.

When we had a chance to develop a series for Perseid Press called
“Heroika,” anthologies, books designed to treat the heroic ethos
throughout human history, we jumped at the chance.  We called the first
of these anthologies, “Heroika 1: Dragon Eaters,” not expecting our
writers to take the “dragon eating” part seriously. But some of them
did.  Some even offered me olden family recipes… These story span
man’s recorded myths and legends of dragon hunting, from the third
millennium BCE and Hittite/Hurrian Myth of Illuyankas to tales of
magical realism set today and tomorrow. The men and women in these tales
include hero-cult figures such as Heros Equitans,  Rhesos of Thrace, who
preceded the myth of St. George and the Dragon yet embodied it, as well
as people who might live in your town, might have lived in your time, in
your grandfather’s time…. Heroika may yet present nonfiction articles
in subsequent volumes. This, the first
volume, relies solely on fictional tales… or does it?

So we ask you — no, better, we dare you to put aside your preconceptions and see what seventeen agile minds made of our call to duty as they each wrote a story about “Dragon Eaters” in human history, some about the men and women themselves, some about the myth, some about our racial memories.

Perseid Press specializes in writers who write dangerously for readers who read dangerously. In Dragon Eaters, people test themselves and their beliefs against forces of nature and hope to prevail with … the art of dragon killing:

Here’s a description of Heroika 1: Dragon Eaters, publication date May 25, 2015

“Dragons have been eating humans for centuries. Now heroes throughout history stalk their legendary foe. Learn how to hunt, kill, and eat the wild dragon. Never before has revenge tasted so good. A literary feast for the bloody-minded.

In Janet Morris’ anthology on the art of dragon killing, seventeen writers bring you so close to dragons you can smell their fetid breath. Tales for the bold among you.

HEROIKA 1 — DRAGON EATERS, an anthology of heroic fiction edited by Janet Morris, features original stories by Janet Morris and Chris Morris, S. E. Lindberg, Jack William Finley, Travis Ludvigson, Tom Barczak, J. P. Wilder, Joe Bonadonna, Milton Davis, A.E. Butcher, William Hiles, M Harold Page, Walter Rhein, Cas Peace, Beth W. Patterson, Bruce Durham, Mark Finn.

Come explore your own ancient history with us, in Heroika 1: Dragon Eaters.  Live a little — read dangerously.

Heroika 1: Dragon Eaters, edited by Janet Morris for Perseid Press, gets its first major media review from Ricky L. Brown on Amazon Stories Magazine (amazingstories.com)

See the original review by ricky L. Brown on Amazing stories:  http://amazingstoriesmag.com/2015/05/review-heroika-1-dragon-eaters/

Heroika 1 Perfect promo 6&9 heroika1promobanner fixedTChirezpromo-4Heroika 1 - Dragon Eaters cover

Heroika 1: Dragon Eaters is an anthology of well-crafted work with a wide range of entertaining perspectives. Spanning across cultures, centuries, and even the dimensions of time and space, each contribution has its own distinct charm. In essence, this book is a colorful bouquet of bold stories about one of the darkest primal forces in mythological lore.

Published by Perseid Press and edited by Janet Morris, this collection is due to be released on May 25, 2015. There are seventeen tales in all. Though breaking each one down with literary criticism would take multiple reviews to cover thoroughly, it is advised to just pick up a copy and dive right in because odds are pretty good you’ll find plenty to enjoy.

The collection begins with The First Dragon Eater by Janet Morris and Chris Morris, which reads like a classic saga of the Gods form Greek mythology. Having lost his heart and eyes to the dragon Illuyankas long ago, the Storm God Tarhunt capitalizes on the vulnerability and hubris of his own children to get his organs back, and in turn he sets out for revenge on the winged beast who almost killed him.

In the Legacy of the Great Dragon by S.E. Lindberg, readers will discover another use for the dragons in getting one’s sight back, but here we cross the fine line between man and god, and see how the twisted significance of the word “legacy” can define both.

Writers Janet Morris and Chris Morris join forces again for the third story Bring Your Rage. But this tome is less about the gods as in their previous entry and more about how raw barbarism can be played out in a poetic quest to slay a dragon and define the true meaning of a hero.

Aquila of Oyos by Walter Rhein is an emotional twist of honor and subservience between two dragons facing each other in a man’s world. Just as complex but from a different perspective, The Wyght Wyrm by Cas Peace is an intricate story of dragon magic and the cruelty of man when it is harnessed for war.

Though the ending of the next story was surprising yet thought provoking, The Old Man on a Mountain by Jack William Finley is a fulfilling adventure of one man’s quest for revenge and a dragon’s acceptance of fate.

Of Blood and Scales by A.L Butcher is a story of lies and deceit behind a girl’s long journey to the throne while Night Stalkers by Travis Ludvigson is a tale of a man’s loyal dedication to serve his Lord, the ruler Charlemagne.

Forged by Tom Barczak is a fairytale adventure with good versus evil, eventually allowing readers to discover the hidden magic of dragons that lies in the soul of a young girl and how “love” works its magic in unexpected ways. And The Rhyme of the Dragon Queen by JP Wilder is another enchanted story following a rhythmic song with prophetic implications and the colorful cast of characters who try to avoid its dark predictions.

Joe Bonadonna’s ability to draw on all five senses of the observant reader gives the story The Dragon’s Horde a dimension often left to the device of the characters. What this does is let the story of battling mythological creatures unfold with just enough realism to allow the tightly developed characters to act naturally on the stage of such an epic adventure.

Wawindaji Joka (The Dragon Hunters) by Milton Davis is a unique story where the dragon hunters might be as precarious as the dragons they hunt. Just as innovative, M. Harold Page brings a rare Steampunk version of dragon lore in Against the Sky Tomb of the Earth Kings where the battle is taken high into the clouds.

Red Rain by William Hiles gives readers a fast paced Civil War perspective in the battling dragons. If the War-Between-the-States can pit brother against brother, what will happen when the mythical creatures are thrown into the mix?

In La Bétaille by Beth W. Patterson, the dragon fight is taken to Cajun country in the south. Yet in Bruce Durham’s tense story Arctic Rage, readers find themselves in a frosty post-nuclear apocalypse Inuit setting where the hunter and the hunted play dual roles.

The collection is finally wrapped up with a suspenseful time traveling twist of fate. In what first looks to be the near future and some hard charging marines, we are surprisingly taking way back in time where the modern fight emerges as a bit prehistoric in Sic Semper Draconis by Mark Finn.

As you can see, there is quite a lot packed into Heroika 1: Dragon Eaters. Some elements of these stories stem from traditional folklore while others bring a fresh new light to the genre. Most of the heroes are as complex as the beasts they face, and in some cases, they are one in the same. Be it a novice just looking to learn more about dragons or a veteran hoping to discover some bold new truths, this collection will appeal to any fan of the legendary magical creatures.

AUTHOR WEDNESDAY – JANET MORRIS

How the sacred Band began…

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The Birth of Tempus

By Janet Morris

first published in http://pczick.com/2015/05/13/author-wednesday-janet-morris/

tempus coverI started writing stories about my soon-to-be iconic character Tempus in a most unexpected way. At the World Science Fiction convention, I sat on a panel with editor of the Thieves’ World(TM) series, Robert L. Asprin. In front of a packed house, he leaned forward into his microphone and asked me to write for his new “shared word” series, “Thieves’ World.” Flustered and delighted, but having no idea what Thieves’ World might be about, I said yes.

After the panel, Bob Asprin explained what he wanted: a story of up to ten thousand words, set in Sanctuary, a town meant to be the armpit of fantasy, a town we writers would all share as the locale for our stories. Our characters would remain ours to do with as we pleased elsewhere, but the Sanctuary locale was the “shared” part of the anthologies, and Bob would send me a backgrounder about the town and the unfortunate and corrupt people who lived there in some forgotten place and past. He said he wanted it dark; he wanted the characters to be thieves and murderers and witches and such, and the government to be unable to keep the peace. There was one volume of this shared anthology already published, and Bob said he’d send me a copy of the book to show me what others had done.

But by then I already knew what I wanted to write, and what characters I wanted to use. I had written a very short story about a mage-killer, Cime, and her target, Askelon, the last great archmage, and the place where he ruled. I asked if I could bring some pre-existing characters and places, and the editor gave me permission. I asked if I could write characters who were both heroic and anti-heroic, and the editor said yes. So I originally thought I’d expand my existing story, and reference my archmage’s world of Meridian, an island which only sometimes appeared in our world. Bob Asprin okayed this as well.

But by the time I arrived home, I had another story in mind: Tempus, my character, had come storming into my brain: Tempus the Riddler, Tempus the Black, Tempus the Obscure. Tempus would be analogous to Heraclitus of Ephesus, but be the man Heraclitus would have been if he’d done what he advised others to do. So from that assignment came Tempus at his nadir, once a general, now a mercenary fallen on hard times, alone in lawless Sanctuary with a mission from the capital to see if the feckless prince who ruled the town could ever make a king. Cime would be called his sister, and Askelon his nemesis, but first I had to introduce him in a way that would make the editor want not only that story, but more stories of Tempus and Cime and the wizard-ridden world they perceived.

So I wrote, “Vashanka’s Minion,” the first story in the Tempus epic; Bob loved its anti-heroic flavor, and asked me to do another, which was “A Man and his God,” in which two men kiss, a priest of the Storm God dies, and Tempus’ world forever changes as he inherits the Sacred Band.

Right there, when the Sacred Band begins, the story becomes historical fantasy, since our Sacred Band is modeled on the heroic but doomed Sacred Band of Thebes.

I loved writing the first Tempus stories; the characters obsessed me; once I connected Tempus to Heraclitus and fantasy Sanctuary, a forgotten backwater in the real ancient past, I knew exactly what to do. I have never had more fun writing.

And evidently the readers had fun reading the Tempus stories, for the Thieves’ World series was a great success, selling more than a million copies, success enough that I could propose and sell a stand-alone Tempus book, to be a novelized anthology in which my earliest Tempus tales are seen by his young companion in war, Nikodemos. And in which (even better) I could publish my story about Cime the mage-killer and Askelon, lord of dreams who rules Meridian.

It was during this interval, as I was preparing the novelized anthology, Tempus, that the shared-world Thieves’ World became a bestseller; then I also sold the to-be-written trilogy about Tempus and his Sacred Band, called the Beyond trilogy (Beyond Sanctuary, Beyond the Veil, Beyond Wizardwall) as hardcovers to Baen Books, as Science Fiction Book Club selections, and as Ace mass market paperbacks. Subsequently, I wrote three more Tempus novels for Baen, and then many years later assembled the final Thieves’ World Sacred Band tales, along with new stories written expressly for that volume, in a second novelized anthology, The Fish the Fighters and the Song-girl, and also, for Perseid Press, the epic Tempus novel, The Sacred Band.

For more than thirty years now, I have been writing about Tempus (and his sister-in-arms Cime, and the Sacred Band of Stepsons), and he has been living in my head much in the same way that Tempus is inhabited by Enlil, the Akkadian Storm God. But this book Tempus is the original, the earliest, and these are the tales that made Tempus famous — how it all began.

Janet bio pic cropped 12 05 13 Janet B&W Portrait 2About Janet:  Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris Morris or others. She has contributed short fiction to the shared universe fantasy series “Thieves World, (TM)” in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and contemporary novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Click below for links to more about Tempus and Janet Morris

Wikipedia page for Tempus

Wikipedia page for Sacred Band of Stepsons series

Janet Morris Wikipedia bio

Amazon Author Page

P.C. Zick

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Welcome to Author Wednesday and a guest post by Janet Morris, the author Tempus, a best-selling work of fantasy that has developed into much more than one work of fiction. Tempus even has its own Wikepedia pageTempus is also a part of the box set, At Odds with Destiny. I’m pleased to have Janet here today to talk about how her dynasty with the Tempus character.Time 5-1

The Birth of Tempus

By Janet Morris

tempus coverI started writing stories about my soon-to-be iconic character Tempus in a most unexpected way. At the World Science Fiction convention, I sat on a panel with editor of the Thieves’ World series, Robert L. Asprin. In front of a packed house, he leaned forward into his microphone and asked me to write for his new “shared word” series, “Thieves’ World.” Flustered and delighted, but having no idea what Thieves world might be about…

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Donny Swords interviews Chris and Janet Morris’ on “The Black Sword” project

http://mishanoamy.blogspot.com/2014/11/chris-janet-morris-nine-heroes.html

Chris & Janet Morris: Nine Heroes interview 6

Chris & Janet Morris

Nine Heroes: 9 Questions

Interview 6

(Exploring Heroic Fantasy’s Nine Heroes.)

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While I have deep respect for all the talent possessed by authors in this round of Nine Heroes interviews, I must confess I have reverent awe for these masters.  Chris and Janet Morris exude unrivaled passion for heroes in literature,  They evoke the spirit of the men and women they write, whether it is in their undeniably brilliant Sacred Band Series, or in novels such as their Sci-Fi masterwork, Outpassage.

The Morris’ go far back in the writing world, and are worth checking out if you take nothing else from these interviews.  They have talent often wept for and dreamed over.

So what do they offer Nine Heroes?

The right to call itself an edition scribed by legends.

Never ones to go light, The Morris’ delivered Rhesos.  Black Sword is one of the main reasons I loved Nine Heroes.  This is legendary stuff, literally.  The ease in which this story brings the ancient hero to life is an appalling feat for lesser writers than Chris & Janet Morris.

Here is an excerpt from my review:

Black Sword by Janet Morris/Chris Morris

“Anyone who has read a Ways of the Stygia novel would know I love black steel. Regardless of the gods who forge it, it is a fascination of mine. Anybody who has read my blog would also have a comprehension of my respect for Janet & Chris Morris.
Here, armed with her new hero Rhesos, and he with his black blade, Janet Morris pierces the imagination, delivering a classic hero. The story was engaging. It smacked of brilliance. When I finished all I wanted was more.
Thank the gods there will be a full-length novel soon starring Rhesos, child of gods, red-haired, with a temperament that reminds me a little of Robert E. Howard’s Conan, or El Borak… the troubled adventurer who is more than meets the eye… a hero steeped in myths and substantially viable for the ages.


If you are a Morris fan, do not miss Rhesos’ first story.”

Describe your hero, or heroes.

The hero of The Black Sword is Rhesos of Thrace, in Greek mythology known as the youngest king to arrive at Troy to fight, a nearly forgotten hero today but a truly mythic warrior. Sources say Thracians of this period were often of “heroic” proportions, red-haired and blue eyed, so Rhesos has those traits. He was a horse-breeder as well as the king of Thrace, and wore gold-trimmed armor and bedecked his white horses’ harness with silver and their chariot with silver and gold. In our story, he is described as “more beautiful than daylight.”

Live beside heroes, click here.

The female protagonist (one cannot truly call her a hero) of the Black Sword is Salmakis, the water nymph or naiad who became famous for her seduction and attempted rape of Hermaphroditos. When we first see Salmakis, she is an ancient crone, but she doesn’t stay old for long. She has bargained secretly with the gods to release Rhesos from his silver-veined cave in Rhodope and send him to her, so she can use him to restore her youth and beauty. When he meets Salmakis, he is a lowly mercenary who has just fought on the Macedonian side in a losing battle. The morning after they tryst, the crone is nowhere to be seen but a lovely young girl gives Rhesos a new panoply of weapons, all made from of black metal “kissed by blood.”
Tell us about your character in 9 heroes.

Homer counted Rhesos among the great heroes in the Iliad. Other classical writers including Euripides and even later writers such as Shakespeare extolled him. In the Iliad, at Athene’s urging, Diomedes and Odysseus murdered Rhesos as he slept on the night he arrived at Troy with “thousands at his back,” for fear of the oracles that said if his horses drank from the Scamander and he fought the next day on Ilion’s battlefield, the Achaeans would lose the war. Upon his death, since Rhesos’ mother was Calliope and his father Strymon, the river god, the Muse Calliope appealed to the other gods to allow her to resurrect him and grant him immortality. She won the right, but the agreement confined him to an underground cave for centuries. A hero-cult grow up around him in that interval, Heros Equitans. In our story, he remembers little of his life before the cave, and begins piecing things together…

What type of setting did you place your story in?

Our story begins in ancient Chaetae in the 4th century BCE, between Mygdonia and Macedon, and soon moves to a Greek settle in Asia Minor, Dicaea, and northward as Rhesos tries to get home to Eion.

What inspired your story?

The stories of Rhesos and his hero-cult and of Salmakis, the only nymph rapist in the Greek mythological canon, were stories we longed to tell. When the opportunity to create a new hero for Nine Heroes presented itself, Rhesos was the obvious choice:  a great mythic hero, cut down by treachery early in his prime, then immortalized. Combining a story of Rhesos post-resurrection and Salmakis, who could gift him with weapons made by Hephaestos by calling on a fellow nymph, was too perfect a chance to miss. This story also allows us to interweave other mythic beings and powers, including the Erinys Tisiphone and Athene’s priestess at Troy, Theano, as well as Calliope and Pallas Athene (First to Fight) herself.

Is your story a part of a broader work or series?

In the Sacred Band series, we had been working in the 1st century BCE culture and geography, so an epic set there was a good choice because we were conversant with Greek settlements in Asia Minor. This story may be read as beginning in the Mygdonia of the Sacred Band, but Rhesos does not encounter the Sacred Band of Stepsons in this story. Rhesos has his own fascinating mythos. The Black Sword is a mythic tale, partly historical if you credit recent research that uses an ancient solar eclipse in Homer’s Odyssey to pinpoint April 16, 1178 BCE as the date Odysseus returned to Ithaca. If that much of Homer is true, then we feel comfortable taking as true Homer’s tale of Rhesos’ death at the hands of Odysseus and Diomedes.

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Rhesos is a new hero for us with whom we are well pleased. We are currently working on a novel about him that begins with “The Black Sword” story, somewhat expanded, and goes fascinating places thereafter. We may well do more than one novel with Rhesos, but the book with the working title “Rhesos of Thrace: Black Sword” will be a complete adventure of epic scope.

In four lines, tell us about your story.

Fleeing a battle he fought as a mercenary in service to Macedon, fighting deserters and brigands as he goes, Rhesos comes upon a smithy’s hut late at night and asks to buy equipment. The old woman there gives him shelter, food, and agrees to sell him weapons, but she’s disappeared in the morning, replaced by a comely girl who provides Rhesos with a black-iron panoply. Heading north, he comes upon a mercenary band encamped before the hilltop town of Dicaea and asks for work. The mercenary leader challenges him to single-handedly kill a monster threatening travelers in a nearby cave and bring back the monster’s head, giving him a horse and a guide to go with him to make sure he doesn’t abscond with the horse. In the cave, Rhesos confronts an Erinys, Tisiphone the Avenger, who offers him a deal involving a monstrous head….

Which, besides your own is your favorite story?

“The Act of Sleepless Nights” by Walter Rhein and “Just One Mistake” by A.L. Butcher. Although very different, each story is character driven and those characters are memorable.

A Man and His God: A Sacred Band Tale

Release Date:02-12-13

Publisher: Perseid Press

An immortalized cavalry commander joins forces with the high-priest of the god of war…. Where myth meets legend, two men kiss and Tempus’ world changes forever. Meet and mourn the Slaughter Priest in “A Man and His God.” In this canonical short novel, the Sacred Band begins when Abarsis, Slaughter Priest, brings his Sacred Band to Tempus and dies in his arms. In this pivotal story, the Sacred Band is formed from love and death….

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How many of the other authors in Nine Heroes have you read?

We read the entire book, each story in order.

Would you make another anthology with Heroic Fantasy?

We look forward to the opportunity.

A sample of Rhesos from Thrace.

“Rhesos of Thrace”

The Black Sword

(copyright (c) 2013, 2014,

Janet Morris and Chris Morris:
Somewhere an owl hooted. Out of the night a bat came at him, then veered off, drawn by the smell of his blood but not bold enough to tackle anything as big as he and still moving. Not yet. His shoulder muscles ticced, remembering too many vampire bats and too many
teeth tearing at him in his gloomy cave.If the bat came back, he’d need to draw his dull and tacky blade again. He was a good killer of bats; he’d had lots of practice, underground.
But no bat dove at him again until he nearly reached the lighted hut. No cave, this. He’d lived in a cave long enough to know one when he saw one. He was relieved: if not a cave, then not a ruse
to pen him up again in some hoary underground prison. This place looked tumbledown, ramshackle and . . . real enough: a simple hut of wood and stone with one window, a closed door, a darkened shed that smoked from a banked fire within, and a fenced area between.

When the bat swooped once more at him, he instinctively yelled and drew his weapon. Or tried to: his sica’s blade hitched and caught so that he grasped hard with both hands, one on his hilt and one on the scabbard, to tug it loose. By then the bat was gone, but he’d made enough noise that the door to the hut swung open.

A stooped figure stood there, barely clad and backlit: “I’ll not surrender without a fight, mind you.” A woman’svoice, speaking common Attic, reedy and laced with laughter; a small shape, bent forward, withered arms akimbo: “And you’ll be needing what, this time of night, proud warrior?”

Teasing, now, was this ancient crone. He’d cast aside his leather mantle and armor; lost his helmet, quiver and bow,knife, shield, and javelins, whilst he’d fled that battleground of wicked haze and ghosts. So he was no better garbed than she, in only tattered chiton with sica girt. On her threshold, he realized he was shivering.
Two strangers, alike in prospects, with little to lose and little to gain, took each other’s measure silently until Rhesos answered her: “I’m looking for shelter, food, and better weapons.”
“Better weapons in the morning, if you can pay. My husband owns the only smithery you’ll reach afoot within a day’s journey, but you’d know that. And I yet do a bit of leatherwork and weaving. The rest –– food and shelter –– you’ll get if I like the look of you, the sound of your name . . . and your money.”
“Rhesos of Thrace, from north of Thessalia, southwest of Great Scythia.” Only the smallest of lies, close enough to truth for a northern boy raised by fountain nymphs; a youngling king who’d arrived too late to fight at Ilion and lost his men and horses there. He wasn’t about to explain how he’d come here, since he was hardly certain where here was: He’d been born in Eion, but common folk called every place north of Macedon either Thrace or Scythia. He jingled the coins in his purse instead.

“I can pay.”
“Then you’re lucky. You’ll not be my enemy, but my guest. We in Chaetae have no quarrel with Thrace. Come in and eat, and I’ll find you one of my husband’s sheepskins to chase the cold from you.”

So this was Chaetae, some backwater between Mygdon and Macedon.
“Of all I’ve been, I’ve never been lucky. Until now, little mother.” He could still turn a phrase and lift a skirt when the occasion demanded, even a skirt as old and filthy as hers smelled.
“New days come then, Rhesos of Thrace.”
The stringy-haired crone retreated into her hut, beckoning him to follow.
Warmth waited in there, and food with aromas that made his mouth water –– and safety for a single night seemed tantamount to safety forever.
“Where is your husband?”
“He’s away somewhere,” said the crone, piercing-eyed, and smiled a long-toothed smile while she looked him over as if she’d pinch his buttocks next…

In closing, I want to thank Chris and Janet for their patient mentorship and invite you to read their individual interviews found on this blog. This has been a tremendous string of interviews.  Don’t be afraid to grab a copy of Nine Heroes, it is a distinctive read.

Thanks for reading this article.  Feel free to post feedback in the comments section below.

Donny

Janet Morris and Chris Morris’ Roundtable Podcast part 1

New podcast with Janet Morris and Chris Morris:
http://www.roundtablepodcast.com/2014/10/20-minutes-with-janet-and-chris-morris/

Dave Robison of Roundtable Podcast says:

This week’s “20 Minutes With…” segment isn’t.

20 Minutes, that is.

Why? ‘Cause when you get the opportunity to sit down with your literary heroes, you don’t hold yourself to petty things like temporal constraints.

I and the exceptional Michael R. Underwood sit down for an incredible conversation with Janet Morris and Chris Morris, creators and editors of the “Heroes in Hell” series, numerous Thieves World tales featuring the cursed immortal Tempus Thales (whose adventures are continued in The Sacred Band of Stepson’s series), and more marvelous speculative fiction than can be listed on Wikipedia.

Seriously… there’s never been a conversation like this on the RTP before. DO NOT miss this episode.

We’ve had some amazing authors Guest Host the RTP, astonishing creators who’s ideas ring through genre fiction and the SpecFic community.

But I’ve never interviewed one of my heroes before.

The fiction of Janet Morris and Chris Morris (“Heroes in Hell”, “Thieves World”, and more) has been a fundamental influence on my taste and aesthetic in genre fiction and having them on the show was an unparalleled delight.

I knew I’d never be able to do it alone, so I was hugely grateful when Michael R. Underwood agreed to co-host the show with me. Between the two of us, we engaged in (waaaay more than) 20 minutes of incredible discourse with these eloquent storytellers, discussing the symmetry of music and story, the resonance of the craft of fiction and non-fiction writing, and how to “ascend from the pit of self-doubt into the light of self-knowledge and mastery”.

This is one episode you DO NOT want to miss.

http://www.roundtablepodcast.com/2014/10/20-minutes-with-janet-and-chris-morris/