Joe Bonadonna’s Amazon review of The Golden Sword, #2 in the Silistra Quartet:
Joe Bonadonna’s Amazon review of The Golden Sword, #2 in the Silistra Quartet:
Bestselling author Andrew P. Weston reviews Janet Morris’ The Carnelian Throne, 4th and final novel in The Silistra Quartet.
The Carnelian Throne by Janet E. Morris
5 of 5 stars
The Carnelian Throne (Silistra, #4)
by Janet E. Morris (Goodreads Author)
Andrew Weston’s review Mar 31, 2017
it was amazing
At the conclusion of “Wind From the Abyss,” the most esoterically enchanting chapter of the Silistra Quartet, Sereth–a master Slayer turned renegade, Chayin–cahndor of Nemar, and Estri–former well keepress of Astria, overcame almost insurmountable odds to form a triune thought to represent a vision of supreme authority as foretold in ancient prophecy.
And prophecy is everything, for Owkahen – the time-coming-to-be – continues to set the tone and tempo as events flow toward a culmination that will determine the verity of what was augured in ages past.
The “Carnelian Throne” begins with our protagonists exploring a forbidden continent. A land where technological and intellectual arrogance has forged upheaval, man is subservient and the result of thousands of years of genetic manipulation has reaped incredible and deathly ramifications.
It is into this cauldron of uncertainty that Sereth, Chayin and Estri venture, unwittingly triggering a series of events that soon overtake them…or do they?
Closer examination reveals a startling juxtaposition is manifesting all around them. Epoch-spanning cycles are maturing. The wheels of circumstance have almost turned full circle and creatures of disparate genesis are brought together at a time and place that tends to support the supposition that destiny is being shaped by a biology long in the making.
Yes, witness at last the summation of catalysis genetics as they reach a pivotal nexus in a black glass chamber bathed in amber light.
If, like me, you’ve been eagerly awaiting the final installment of this epic adventure, I can assure you, you won’t be disappointed. The Carnelian Throne is artfully written, employing engrossing characters and a skillfully crafted plot that involves you from the very beginning and keeps you enthralled to the final page.
My honest opinion?
This is a truly engaging adventure. I thoroughly enjoyed it and it’s one saga I’ll keep coming back to again and again.
New, definitive Author’s Cut editions from Perseid Press include e-book, deluxe trade paper, and hardback.
Get all four volumes: https://www.amazon.com/gp/product/B06XFHJVRG?ref=series_rw_dp_labf
The Forty-Minute War is a novel that crosses genres, effortlessly incorporating elements of speculative fiction, spy thriller, black ops, romance and science fiction. The tale of jihadists setting off a nuclear bomb is as relevant in this updated book as it was when originally written in 1984. The story is timeless, apt for today, possibly even more than it was then.
The reader follows the fortunes of Marc Beck, a charismatic employee of the US State Department, Chris Patrick who is a newspaper journalist and Beck’s love interest, and Ashmead, a hardened CIA operative who leads a team of counter-terror black ops assassins. Together they weave in and out of a taut story and the tension makes the book hard to put down. There are twists and turns in this book that keep the reader gripped to the end. The characters live and breathe and I felt their pain, their tears, their love and their black humour.
The writing, as always regarding these authors, is excellent. As a devotee of novels by John Le Carre I never thought I would find authors writing in a similar genre who have the same wordsmith qualities as Le Carre, yet here they are. The depth, pace and quality of the book is certainly on equal terms. Underscoring the fast pace is the voice of authenticity and experience which lends credibility, giving fascinating insights into black ops in a Middle Eastern setting.
Highly recommended, and it deserves to be better known.
This Author’s Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.
Wind from the Abyss is the third volume in Janet Morris’ classic Silistra Quartet, continuing one woman’s quest for self-realization in a distant tomorrow. Aristocrat. Outcast. Picara. Slave. Ruler …. She is descended from the masters of the universe. To hold her he challenges the gods themselves.
Praise for Janet Morris’ Silistra Quartet: “The amazing and erotic adventures of the most beautiful courtesan in tomorrow’s universe.” — Fred Pohl
“Engrossing characters in a marvelous adventure.” — Charles N. Brown, Locus Magazine.
“The best single example of prostitution used in fantasy is Janet Morris’ Silsitra series.” — Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.
EXCERPT: Wind from the Abyss begins with this . . .
Author’s Note – Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns then, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by “Khys’ Estri” (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys’ humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen so of Tar-Kesa, and at that time Khys’ puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen’s hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper’s city — and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . . .
About the Author:
Best selling author Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris Morris or others. She has contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author’s Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.
Tell Us About Yourself
Name (s) Estri Hadrath diet Estrazi
Age: Three hundred forty Silistran years old
Please tell us a little about yourself.
First, I must say that your language is difficult, not one intuitive to me. Nevertheless I shall try to answer you in your own tongue. Excuse my syntax, and I will tell you what I can.
Once I ruled the greatest house of pleasure in the civilized stars. When I reached my majority of three hundred years, I undertook a quest to find my father at the behest of my dead mother. So I left my position as Well-Keepress in my beloved Astria, and nothing has been the same for me since. All I thought I knew, I now question. So many truths proved false, so many assumptions groundless, so much love lost and found. I have greater powers now than I once did, but wisdom can triumph over power, and color all life anew.
I have been many things: aristocrat, outcast, picara, slave, ruler. I have served powers greater than my own, and baser than my soul could stand. I have had everything, lost everything, and gained knowledge by seeking love along the way. Doubtless I am wiser now than when I began my journey out of Astria, having learned that true wisdom comes only to a loving heart. But where love lies, there hatred takes root, and envy, and fear, and dangers undreamt. And yet, love is the key to every mystery: to life and death and creation itself. For without love, what are we, but a brief glimmer seen against eternal night? Where are we in this combustible universe? What arms hold us safe? What we learn, exploring, brings us home to ourselves, to our own loves, our own hearts. Creation plays no favorites, seeking only change. Love can surmount all, I once believed as a naive girl, and believe it yet.
Describe your appearance in 10 words or less. Copper -skinned, copper-haired, with a body to please the gods.
Do you have a moral code? If so what is it? Silistra’s moral code I still hold as mine: my world was wrecked and sundered by unbridled lusts for power. We who remain must rebuild not only our population, but our faith that whatever man destroys, nature can put to rights . . . given time.
Would you kill for those you love? I have done so, and killed that I myself survive.
Would you die for those you love? Would that I had the chance. To die for something is an honor. To die for nothing is a cruelty greater than any other.
What would you say are your strengths and weaknesses? Ha. You must not know my people, to ask such a thing. Some say my strengths are in my blood, that I was bred to this battle between the spirit and the flesh, between man and woman, between life ineffable and life everlasting, a battle long conceived before ever I was born. Some say my coming was devoutly to be wished, and others say I and those who love me are travesties, a flaw in the natural order. I myself say that life and love are their own justification, where passion rules.
Do you have any relationships you prize above others? Why?What entitles you to know my heart, my mind, my soul? Shall I feed you platitudes, disarming truisms and children’s tales? Of my beloveds, you need to know very little, perhaps only one thing: “We are all bound, the greatest no less than the meanest,” as my lover says. I prize the sky and earth and every creature upon it with a love fierce enough to defeat even the foolishness of man.
Do you like animals? Do you have any pets/animal companions? I have whatever walks or crawls or slithers or swims, slinks or flies free in our air. We are part of our world’s nature, sometimes its victims, but never its masters. I have friends among the honest killers of the wild, for all kill to eat and thrive and risk their own lives so their offspring will survive. Sometimes I ride on the backs of those who roam the plains or stalk their prey, or live cheek by jowl with them; sometimes not. But they are not mine any more or less than I am theirs.
Do you have a family? Tell us about them. You haven’t the time to hear my story. I’ve written some of it; look there to see my mother, my father, my lost child, my relations, deadly every one. My bloodline is old: to live so long, to prowl the universe and shower in star’s breath, my family well learned the wisdom of survival, when to destroy and when to succor.
Can you remember something from your childhood which influences your behaviour? How do you think it influences you? Where I live, some can survive for hundreds of years or more. When my mother bade me seek my father, she sent me on a trek more dangerous than my young and foolish self understood. Before then, I thought that men and women were put on the ground to reproduce, to conserve, not to destroy. To claim my heritage, I learned hard lessons — about the nature of life, and the degree to which we are all controlled by the wisdom of our sex. And thus did I blindly go forth to claim my inheritance, thinking all I had to do was ask and the universe would serve my pleasure. I learned otherwise, in the doing; that the world turns by a greater will than mine; that reality is the child of biology, that all things come into being by strife; battling against men, against women, and sometimes against the gods themselves.
I learned many lessons about what men will do to win, and what women will do, and why. I learned that men who punish men and women lust to rule all; that women who punish men and women lust after dominion, and how dangerous both can be.
From childhood’s days to these, I have strived to keep my wits well about me, and shape my own fate.
Please give us an interesting and unusual fact about yourself. In my three hundredth years, I was known as the most beautiful and exotic courtesan in the civilized stars. I commanded a great price.
Tell Us About Your World
Please give us a little information about the world in which you live. Silistra is a planet in the Bipedal Federate Group. Our main exports are our life-extending serums. Our men, in their romance with machines and technology, warred until our planet and its ecology were nearly destroyed and life on the surface became nearly impossible. One result of this war was that conception became very difficult, and those who could conceive a child had power. Then did our leaders develop the life-extending serum which gave us some hope of not becoming extinct. For thousands of years, a few survivors languished in underground shelters, while women took power away from the men that had nearly destroyed us all.
When the time came that Silistrans could live above the ground, we instituted the Well system, where fertile women could come to find a man who could impregnate her, and the nature of our culture, under the guidance of our spiritual leaders, became life-conserving, rather than life-destroying.
Does your world have religion or other spiritual beliefs? If so do you follow one of them? Please describe (briefly) how this affects your behaviour. On Silistra, some believe in gods, some are descended from gods, some meet with gods, face to face. Whether or not we believe in gods, the gods who made us take a hand in our fates. We are a culture that values those skills by which an individual mind can shape the future. Our dhareners, interpreters of the will of those gods who walk with mankind, guide our development by choosing our paths and making our laws.
Do you travel in the course of your adventures? If so where? I have been to places on Silistra that are thought mythical and mystical, where few outsiders have ever been; I have gone to the places where gods hold sway, and seen what few Silistrans have ever seen. I have traveled among the stars, and farther.
What form of politics is dominant in your world? (Democracy, Theocracy, Meritocracy, Monarchy, Kakistocracy etc.) On civilized Silistra, our government is controlled by our dhareners, our spiritual leaders, and by the Well-Keepresses, hereditary matriarchs, or by the cahndors, hereditary patriarchs. But our governments have no simple rule by the lowest common denominator as seen on other worlds, nor the rule by wealth, nor are we controlled by a theocracy as you will know the term. The composition of our high councils varies, depending on where one lives or travels. Like our government or not, it has kept us safe from the depredations of plutocracy and the tyranny of mercantilists and their machines. Some parts of Silistra are timocratic, some oligarchic, and some, such as the Wells, are controlled by a hereditary matriarchy or patriarchy.
Does your world have different races of people? If so do they get on with one another?We are few, and some are black, brown, copper-colored, red or white. On Silistra, what is in the heart, the mind, and the bloodline determines status, not the color of skin.
Name a couple of myths and legends particular to your culture/people. Silistran myths are predominantly memories, from before the fall of man. My favorite is the legend of Se’keroth, and if you read my writings, you will see why.
We also have a divination system, called Ors Yris-tera, that guides some of us and helps us forecast the Weathers of Life. But on Silistra, any legend that survives is a memory of truths from the past or a portent of the future. Or both.
What is the technology level for your world/place of residence? What item would you not be able to live without? Most of us live without technology, as you know it, by choice. The off-worlders who visit try to seduce us with their machines of ease and speed, but we have lived upon and below the surface of a world ravaged by technology for too long to be fooled. True strength lies in the one’s mind and heart. If we wish to do more than a person should, the old weapons and tools of our fallen past still exist in our ‘hides,’ where those who lust for those can still find them.
Book(s) in which this character appears plus links:
High Couch of Silsitra: https://www.amazon.com/High-Couch-Silistra-Quartet-Book-ebook/dp/B01B1M1JBY/
The Golden Sword…………. https://www.amazon.com/Golden-Sword-Silistra-Quartet-Book-ebook/dp/B01FCMA7LM/
The Silistra Quartet consists of four books in chronological order: High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. The first two books are now available in hardcover, trade paper, and e-book “Author’s Cut” editions from Perseid Press. The final two books will be available from Perseid in 2017.
The Bantam and Baen editions of the Silistra Quartet are out of print.
Author name: Janet Morris
Website/Blog/Author pages etc.
Review by Maddie M. originally published at: https://hedgehogbookreviews.com/2016/10/07/review-high-couch-of-silistra-by-janet-morris/
High Couch of Silistra by Janet Morris
Rating: 4/5 stars
-I would like to give a big thank you to Perseid Press for the paperback copy of this book!-
The men and women living on Silistra are governed by a hierarchy of sexual desire and fertility. Infertility is a widespread issue that allows the most sexually appealing women the greatest power. Estri is among the most powerful in the land—she holds the position of the high couch of Silistra. Estri’s mother died during childbirth and she has yet to know much about her father. She is sent on a quest to find her father and discover the secrets that his kind may hold.
In my opinion, this should be a classic science fiction book, especially for those who love female protagonists. Estri is a strong woman who leads with her body and her wit. She was really fun to join on this adventure across strange lands. I thought she was by far the most interesting character in the book, so I naturally paid a lot of attention to her and was left wanting more. I love strong-minded (and, in this case, bodied) women who don’t take any bs from men to whom they don’t owe anything. Go Estri!
I also thought it was cool to hear about the customs of these different societies that Morris so brilliantly created. Estri visits a few places that each have their own customs. I’m not sure how Morris made them so unique, but she found a way to make them all intriguing.
When I got to some of the first sexual scenes, I was a bit confused. I was thinking that Estri was submitting to men as a way of giving up. I soon realized that I was thinking in the mind of someone from our world, not Silistra’s. In actuality, Estri was pleasing these men as an act of power and domination. Switching into this mindset was very freeing.
I was searching for a good science fiction read, and I definitely found it. High Couch of Silistra is full of new cultures and creatures to study. I can’t stop thinking about how I really want to meet a hulion, a big cat with wings and a mane. I definitely want to read more of The Silistra quartet and follow Estri on more adventures. If you’re a science fiction lover (especially with a passion for female protagonists), you’ll love this book.
Hello, thank you for agreeing to the interview. Would you tell us a little about yourself?
A must have! Click Here.My pleasure. My consuming passion is voice in all its aspects, but especially as it manifests in storytelling, both in prose and verse, literature and song. Metaphorically voice represents many things, even the sum of a life. Voice is a double-edged sword we learn to wield to our benefit or detriment. Most recently I’ve assumed the task of narrating our prose catalog and am thrilling to offer publicly what has heretofore been a private but seminal feature of our writing process.
You write as a team with your wife Janet Morris. When did you first become drawn to writing, was it before or after you met her?
Before. Since childhood I’ve enjoyed arranging words to varied effect. In my youth I became a marvelous liar, more because of my fascination with discerning and fabricating what people wanted to hear than from mischievous or malicious intent. When Janet and I met our first collaborations were songs, many of which I still perform today — they are that good. She wrote stories from a very early age. A lasting part of our attraction was and is a shared desire to precisely express what life is showing us, and that means capturing those observations in story form. The difference — or complementarity — between us is that she is expansionist in her portrayals and I am reductionist.
You are a musician, when did you start playing? What instruments do you play?
My older sister and brother proved miserable piano students, so our parents decided that Christopher could do without. Unbeknownst to me (and thankfully so), I was spared the disadvantage of entering musical life through the doorway of percussion. I’m a baritone and baritones seldom wow anyone vocally until the instrument develops, usually in one’s mid- to late twenties. Therefore my public school music teacher, Ms. Hutton, smiled commiseratingly and showed me to a seat with alto boys whose glee club lot was to huff and puff in support of the shrill girls reciting rote melodies. I loved it: anonymity and license to experiment with pitches against a preprogrammed backdrop of boys droning away predictably. In short, I sang, and still sing, first and foremost. And I utterly believe that all music in the human bandwidth derives from controlled breathing.
Guitar started for me at age eleven and is my most satisfying lifetime tool-oriented skill path, several times requiring me to experience the miracle of starting over in order to thoroughly master basic aspects. At this point I am pretty deeply into creating digital models of guitars impossible to achieve in strictly analog settings; I use custom built guitars with Graphtech’s Ghost hexaphonic sensors fed to Roland’s VG99 effects unit, then into a Yamaha board (with my vocal mic) and out in stereo to one of two twin Bose tower monitor systems (L1 and/or L1 Compact) so I am always in the same sound field as any listener. This all stems from wanting a bigger – not louder – guitar sound. I “build” a guitar for any song that needs something a little different and now have twenty or thirty pretty amazing guitars dial-able from one setup. Can’t wait for you to come check it out, and we be jammin’ man.
To me the guitar is a universe of possibilities, which is the same with writing. Do you ever feel limited by people’s expectations of you and your crafts?
I could spend an hour on your first statement here, but will answer the question bit first. No, I no longer feel constrained due to others’ irrational calculations of what comprises art. I say ‘no longer’ because every creative must ascend from the pit of self-doubt into the light of self-knowledge and mastery through determined focus and practice. In his autobiography Miles Davis stated the gospel: “The most difficult thing a musician can do is sound like himself.” And, as you said in that first sentence, it’s “…the same with writing.”
When I played onstage I got instant feedback as to how I was doing. I often find it difficult when I release a book and it gets less attention than I’d hoped. Does your perception of what you feel will or won’t be received well change when you consider your fan base?
No, nor should it for you. This is a variant of the last question, but with a putative contrast between two, on the surface, apparently different art forms. Beneath the surface however they are so closely related as to be nearly identical: they are both listening sports, simultaneously involving the sources and receivers and overlapping the roles of each. Anything you can say of one has an obvious parallel in the other, the biggest difference being in rate of transmission.
One of the glories of human consciousness is that we can hear ourselves hearing ourselves. Shakespeare was the first to portray characters listening to their own inner voice, “the invention of the human” as Harold Bloom calls it. In both music and literature you are your own first audience and, if you like what you hear, by any and all means do not hesitate to proceed for want of external approbation. They are your audience, not your judges. Disregard this truth and that way lies madness.
Get your copy here Does a really good review feel as good as a standing ovation at a gig, or are they apples and oranges?
Glad you asked. Distrust both. If you pin your self-esteem to them and their approbation or lack thereof, you are lost. As Heraclitus said, “He who is praised to the skies lives a life of fantasy.”
You and your wife Janet are a team, how does that dynamic play out when you are developing a novel? When it is underway?
Our novels develop from conversations reaching a point where further elucidation will best be accomplished by the exploration of personality(ies) – in our case, fictional heroes — living their way through circumstances embodying the challenge under consideration. Our working definition of a hero is one who struggles in service to an ideal; if we run out of ideals we may write a different sort of book, but that protagonist would most likely be struggling to find out what happened to all the missing ideals … hmmm.
When the book is under way it’s buckle up time, the blessed state, because (and this is hard for many of our writer buddies to accept) we honestly don’t know everything that’s going to happen. The way to find out the details is to go where only the characters can take us. By that time we are way onboard and strapped in and boldly going we know not where, but headed for a climax we’ve seen but not yet lived. Fun or what? Is it real? For us and the characters, you bet. Does it have that precious quality of feeling true to life? Yup. That’s the reward of the collaborative arrangement; it imparts a binaural, binocular, bi-conscious view of uncertainty, which we and a host of readers find magnetic.
When you edit do you have a process?
When Janet began drafting (typing, mind you) High Couch of Silistra I would read her day’s output (and still do) aloud, because sound is primary to my apprehension, especially if analytics are involved. When I draft we do the same. Although it might seem laborious, this actually saves time and speeds up the rate at which we achieve publishable work. Linguistic anomalies can be heard by the ear and missed by the eye; our editing voice benefits from two sets of each. I’m frequently amazed at how much a slight alteration of pitch or emphasis can inform the net effect of syntax. If we have a passage that wants to be heard a certain way it’s incumbent on us to nail the punctuation so the experienced reader ‘hears’ it.
Since you began as a published author, how have things changed?
It might be easier to list what hasn’t changed, but for those tuning in late there’s: lots more slush being published and given away; increased ability of content providers to call the shots at every production level; no more meddling middle-folk; no more security of the reasonable advance for a multi-book deal; lots more transparency; even more slush being published and given away; piracy; more feedback from readers and trolls; general confusion as to what intellectual property is and how to preserve ownership of it; still more slush being published and given away; genre-fication whelping a litter of niche-of-a-niche-of-a-niche popularity contests; ability to purchase emblems of legitimacy bestowed for a price by formerly powerful arbiters of taste such as Kirkus; global reach to millions of readers; yet more slush being published and given away, or did I say that enough?
One of your recent projects was narrating the audio book “The Sacred Band”. Could you tell us what it takes to accomplish such a feat?
Like anything worth doing, it takes tenacity and focus. Because it was a first-time project The Sacred Band audio book involved a learning curve which added time and cost. I’m a team player and narration has a solitary aspect to it; I’m getting accustomed to it, but I was grateful for the technical assistance of a good friend who babysat me as I got this first one recorded over a period of a little more than a year. If I narrated full time it might now take me only eight or nine weeks. I’m working in Adobe Audition and can handle everything up to but not including audio-post mastering chores (adding noise reduction, some compression and normalization processing before converting to Mp3 for submission). I am an ACX.com (Amazon>Audible>ACX) user and have no plans to market outside their considerable infrastructure; I’d recommend them to beginners because they’ve done the homework necessary to service all the stakeholders in a project. ACX is also a good place to listen to samples of what other production teams are doing and obtain a reference point of view as to what constitutes a finished product. ACX costs nothing to join; they’re compensated from what Audible gets from sales of your book.
I say feat due to your performance. You are merged with your and Janet’s characters in that delivery. This summoning of Tempus or whomever is speaking shows a deep connection to your characters. Do they make you laugh or cry?
I had already read The Sacred Band aloud two or three times before embarking on the narration. We are meticulous about “voicing” our characters and punctuate and format very carefully to emphasize their characteristic speech patterns while still retaining transparency of style. For our first audio project we decided to hire Alex Hyde-White to learn the ropes and see how an accomplished pro would narrate our material. He did a bang-up job with Wake of the Riddler, a shorter TW piece of Janet’s, and immediately caused me to realize what I could bring to our work because of my greater familiarity. I am gratified that you heard the characters coming through because after experimenting with inventing a distinctive sound for each character I opted instead to read with consistently clear articulation and to respect each character’s mood and message within the limits of my voice rather than risk caricature.
They don’t make me laugh or cry. They make me disappear. I miss that when we’re not together.
Your music is intelligent and endearing, quite moving actually, were you going for the same effect on the audio book?
Thank you. Yes, in both cases it turns out to be what I do instinctively. After countless attempts to sound “commercial” musically, I finally took Miles’ advice and dared to embrace what comes out of me ingenuously. Being comfortable in one’s own skin is worth whatever effort is required to make it so. It took me decades to get there (hence my remarks about the acclaim of others) but once arrived, I rejoice to possess sheer bandwidth that accommodates a broad spectrum of emotion without disproportion.
What is your take on violence in books?
Gratuitous…or not. If a story is merely a vehicle to roll out a train of atrocities, what’s the point except to titillate adolescent sensibilities? Writers of all sorts leverage threats of violence, many to avoid the laborious task of carefully laying out a sequence of events building to a genuine need for overt confrontation. I write for the more experienced reader, and myself, who want a little more justification, realism, and reason to care what happens than a story where hardware and machinery are indistinguishable. No doubt about it, there’s violence in books.
Who are your favorite musicians? Authors?
Ray, Mose, kd, Chet, Tony, Sly, Diana Krall, Tommy Emmanuel, Bill Evans, JS Bach, CPE Bach, Mozart, Davey Spillane, Bela Fleck, Victor Wooten, Nat, Haydn, Corelli, Leadbelly (see video), Lightnin’, Jeff Lynne, Roy Orbison, Dinah Washington, Aretha but she ticks me off, Eddy Arnold, Mitchell Parish (wrote the lyrics to Stardust), Carmichael (wrote the melody to Stardust), Michel Legrand.
Janet Morris, Arthur Clarke, Hermann Hesse, John Milton, Will Shakespeare, Jack London, Will James, Marcus Aurelius, Seneca, Heraclitus of Ephesus, P. G. Wodehouse, Harold Bloom, Homer, Deborah Koren, Mika Waltari, Sam Harris, Roger Penrose.
How long did it take to compose the backing track on the Outpassage trailer?
Read Outpassage It took about two days, back in late ’78, culminating in that recording. It’s a song called No Man’s Land, a bedroom demo recorded on a TEAC 10 inch four track reel to reel with Janet on bass, Leslie Kuipers on guitar, Nathan Seely on drums, Ted Lo on ARP string synthesizer, and me on guitar and vocal. It smoked sufficiently that we began playing the Boston fusion clubs around Berklee and generally had a very good time. We were regrouping after moving back from LA in the wake of the MCA album’s short but glorious run, and I still had three quarters of my band to work with and Ted and Nathan eager to jump in. We were listening toMahavishnu and Return to Forever and I was wondering why nobody ever sang over that kind of stuff, plus it was in my “sky high” period when I’d figured out how to build section momentum with circular patterns. The song has some cool cousins I’ll put up pretty soon. What I’m digging now is that shelf life is pretty much irrelevant these days and No Man’s Land has a rabid following on a site called NumberOneMusic.com ; entry level listeners take in Hendrix and Gaga and Norah and Eminem and me all at once and could care less when a piece of music was made or even whether the artists are still alive.
Tell us about your publishing house.
Perseid is damning the torpedoes and putting out stuff that is representative of what we grew up wanting to read; we say books for experienced readers, or books worth reading.
What inspires you?
My favorite of your questions.
Growth. A starry sky. Acceptance of the greater without diminution or forfeit of personality. Personal truths: the value of distinguishing between what one is told and what one learns from experience. The love of a dog. The suppositions of consciousness turned upon itself. In music the ability to reharmonize melody, steal time (rubato) and imply realms beyond physical scope. Kindness. Exploring Heraclitus’ thesis that all things are reflected in all things. The hunger for truth, beauty and goodness. Sister Wendy.
We live in cataclysmic times, for all I know analogous to all preceding ages. What is unknown to me so overwhelmingly eclipses what is known that my fate is to be inured to the idea that uncertainty is somehow requisite to continuity. I accept. I am human for a blink, a moment in an infinite progression. My moment too is subsumed in eternity and, being part, reflects its whole — harbors the DNA of the eternal — from micro to meta. So, even as a relatively infinitesimal particle I may intake my portion of the entire mystery of mysteries. If I am a moment, so am I eternal. Beyond cool.
And partnership…to host an intellectual life is a high privilege, to share such a life closely, transcendent, to make art of such sharing, nonpareil.
For readers new to your novels, which three would you recommend?
The Sacred Band (book, e-book, audio book) Click Here.
Outpassage (book, e-book) Read Outpassage
The Fish the Fighters and the Song-girl (book, e-book). Buy
How important are reviews to you? For marketing? For sales?
Reviews are Rorschachs of their writers, offering subjective accounts of questionable exposure to some work or other. The substance of reviews is of most interest to other reviewers. Although taken for marketing currency, reviews are seldom value added. Creators inevitably fail to accurately calculate the effect of reviews on sales because the study of the relationship is an inexact science at best, at worst an obsession stymieing their creative efforts for lack of prudent allocation of attention.
Now advertising is a little different….
I would like to thank Chris Morris for this famously insightful and encouraging interview. It is good to know the human condition is not wasted on him- but rather seen as an opportunity to grow. Bravo- Chris! See everyone next time. 🙂Thanks for reading.Donny
Chris’ Links: http://www.amazon.com/The-Sacred-Band/dp/B00N1YRVH2/http://www.audible.com/pd/Sci-Fi-Fantasy/The-Sacred-Band-Audiobook/B00MU2VCEO/http://www.amazon.com/Outpassage-Janet-Morris-ebook/dp/B00IDC1E84/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=&qid=http://www.amazon.com/Fish-Fighters-Song-Girl-Sacred-Stepsons-ebook/dp/B007VQIJFY/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1410294833&sr=1-1&keywords=the+fish+the+fighters+and+the+song-girlhttp://numberonemusic.com/christophercrosbymorris/https://www.reverbnation.com/christophercrosbymorris?profile_view_source=profile_boxhttp://www.amazon.com/Everybody-Knows-Christopher-Morris-Band/dp/B004GNEF3A/https://soundcloud.com/christopher-morris http://www.amazon.com/Chris-Morris/e/B008L41JNO/ref=ntt_athr_dp_pel_2https://www.facebook.com/JanetMorrisandChrisMorrishttps://www.facebook.com/christophercmorrissings http://www.sacredbander.comhttp://www.theperseidpress.com/# http://www.facebook.com/christopher.c.morris.7?fref=ts http://en.wikipedia.org/wiki/Chris_Morris_(author)https://www.youtube.com/watch?v=CLqxH_Tx5VA https://www.youtube.com/watch?v=7g79LZAgk8w https://www.youtube.com/watch?v=2EylzKQa4yghttps://www.youtube.com/watch?v=BCv4GA5W5eA https://www.youtube.com/watch?v=ICAPn0E7NC0 https://www.youtube.com/watch?v=5SQFmxwfT7ghttp://www.amazon.com/Outpassage-Janet-Morris-ebook/dp/B00IDC1E84/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=&qid= Where to find Donny Swords stuff: Donny Swords author ( Facebook ) (Blog) Primal Publications (Facebook ) (Blog) The Indie Collaboration ( web ) Novels & Links