The Sacred Band series takes a bow

From Oxford University Press:

“Janet Morris, Tempus (1987), and, with Chris Morris, Tempus Unbound (1989), The Sacred Band (2010).

“A fantasy series about the Sacred Band of Stepsons, an elite army modeled on the fourth-century B.C.E. Sacred Band of Thebes. The stories explore the fraught personal relationships of mixed hetero- and homosexual troops, only sometimes paired, as they fight for their commander, the immortal Tempus. Morris includes archaeological and historical details, from physical items to social practices, religion, and philosophy, to create a fantasy world that is, in many ways, more historically accurate than many popular accounts of antiquity.” — Robert W. Cape, Jr, in Classical Traditions in Science Fiction, Brett M. Rogers & Benjamin Eldon Stevens, eds.,  Oxford University Press

 

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The Sacred Band series of books by Janet Morris and Chris Morris have been cult sensations for decades. Now three of those books have received a notice close to my heart.

 

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The Tempus Unbound novel has been newly released on Kindle and Nook, and will soon be published in deluxe trade paper and hardback avaiable worldwide.

Kindle: https://www.amazon.com/Tempus-Unbound-Sacred-Band-Book-ebook/dp/B072KF7SRW/

Nook:  https://www.barnesandnoble.com/w/tempus-unbound-janet-morris/1000037156?ean=2940157575472

 

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The Sacred Band novel itself is available in e-book, trade paper, hardback and audiobook:

Kindle: https://www.amazon.com/Sacred-Band-Stepsons-Book-ebook/dp/B00AMLKJAI/

B&N Nook: https://www.barnesandnoble.com/w/sacred-band-janet-morris/1100390034?ean=2940015747836

B&N trade: https://www.barnesandnoble.com/w/sacred-band-janet-morris/1100390034

Amazon trade: https://www.amazon.com/Sacred-Band-Janet-Morris/dp/0988755009/

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The Sacred Band audiobook can be found at:

Amazon: https://www.amazon.com/The-Sacred-Band/dp/B00N1YRVH2/

Audible.com: https://www.audible.com/pd/Sci-Fi-Fantasy/The-Sacred-Band-Audiobook/B00MU2VCEO?qid=1497978985&sr=1-1

and iTunes: https://itunes.apple.com/us/audiobook/the-sacred-band-unabridged/id912905236

 

Read a free preview of the Sacred Band here:

 

 

And, should you want more Sacred Band of Stepsons stories and novels, the entire series to date is available from:  http://www.theperseidpress.com/?page_id=921

As the Sacred Banders say, “Life to you, and everlasting glory.”

 

The 40-Minute War Review by J. Jonas

Review from Amazon:40minwar-audiobook5.0 out of 5 stars Excellent thriller, March 3, 2017
This review is from: THE FORTY-MINUTE WAR (Kindle Edition)

The Forty-Minute War is a novel that crosses genres, effortlessly incorporating elements of speculative fiction, spy thriller, black ops, romance and science fiction. The tale of jihadists setting off a nuclear bomb is as relevant in this updated book as it was when originally written in 1984. The story is timeless, apt for today, possibly even more than it was then.

The reader follows the fortunes of Marc Beck, a charismatic employee of the US State Department, Chris Patrick who is a newspaper journalist and Beck’s love interest, and Ashmead, a hardened CIA operative who leads a team of counter-terror black ops assassins. Together they weave in and out of a taut story and the tension makes the book hard to put down. There are twists and turns in this book that keep the reader gripped to the end. The characters live and breathe and I felt their pain, their tears, their love and their black humour.

The writing, as always regarding these authors, is excellent. As a devotee of novels by John Le Carre I never thought I would find authors writing in a similar genre who have the same wordsmith qualities as Le Carre, yet here they are. The depth, pace and quality of the book is certainly on equal terms. Underscoring the fast pace is the voice of authenticity and experience which lends credibility, giving fascinating insights into black ops in a Middle Eastern setting.

Highly recommended, and it deserves to be better known.

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Music to read this book by, free to listen:  https://soundcloud.com/christopher-morris/no-mans-land

I the Sun, a review by Peru Editor

5.0 out of 5 stars Historical Fiction that is Unafraid of History, February 27, 2017
This review is from: I, the Sun (Kindle Edition)

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I, the Sun, the life and times of Suppiluliumas I, the greatest Hittite king. In deluxe trade, ebook, and as an audiobook narrated by Christopher Crosby Morris

Unlike most historical novels, ‘I, the Sun’ does not try to impose modern morality upon an ancient civilization. After all, what is the point of claiming to be a work of “historical fiction” if you are bound by the preconceptions of modern times? However, that aspiration is easier to state than to achieve, and many authors end up failing in their quest for historical accuracy in favor of creating a mass media narrative. As a result, the market is flooded with so-called historical novels that are in no way representative of whatever era they examine.

In this work, Janet Morris has made some courageous choices. Above all else she strives to embrace the brutality and social norms of an era that took place fourteen hundred years before Christ. The book is, in many ways, an intelligence test for those who come upon it. Wittingly or not, readers seek nothing more than the same old “Disney approved” prepackaged plot set in a different historical landscape. That’s not what you’re going to get with ‘I, the Sun.’

One of the most common complaints about modern heroic writing is that there aren’t enough female characters. But too often, authors simply take a male character and give him a female name in order to satisfy gimmicks like the Bechdel test. But what the Bechdel test fails to account for is the existence of realistic women who are engaged in plausible, gender related issues. It’s easy to write a “superhero” female character. But it’s far more interesting to show a powerful woman who manages to exert her influence although she is subjected to a powerless social role.

The women of ‘I, the Sun’ are fascinating, and in many ways they are more interesting than the titular character. They are mothers, slaves, prostitutes and witches, and they conduct themselves with strategic intelligence and a tremendous survival instinct. They fight tooth and claw in darkness and lose often, just like real people.

The prevalence of brutal actions in this book will rightfully make the reader squirm, but engaging in the intellectual exercise of examining the consequences of historical thinking is exactly the point. What are the effects of living in a cruel society, not just the torments of the moment but the prolonged mental burden of surviving within such a world? That’s the theme that Janet Morris bravely tackles in ‘I, the Sun.’ Are her conclusions correct? Who knows? But this novel does indisputably embrace the hard questions of a specific historical age and wrestles with them with intellectual honesty even at the risk of alienating overly delicate readers. The result is a remarkable novel, beautifully written, that will linger with you long after you’ve closed the cover.”

Also available from Barnes & Noble and Nook, as well as wherever ebooks and paper books are sold.
The Ancient Near East comes to life in I, the Sun.

 

See the original review on Amazon:  https://www.amazon.com/review/R2B83HD484TF14/

I, the Sun on History Rocks

see the original post on https://historyrocks.us/2017/02/19/i-the-sun/

I, the Sun

From the annals of the ancient Hittite king, Suppiluliumas, from the Amarna Letters of Egypt and the court records of a wealth of “lost” civilizations, comes this saga of kingship and greatness, love and death, politics and treachery in the second millennium, BCE. Beyond a few cursory references to the Hittites in the Bible, for thousands of years nothing has been known of this first mighty Indo-European culture. sun-cover

Now, based on translations of the ancient texts themselves, comes the story of Suppiluliumas, Great King, Favorite of the Storm God, King of Hatti, who by his own count fathered forty-four kings and conquered as many nations, who brought even mighty Egypt to her knees. Tutankhamen’s widow sent him an urgent letter begging for a son of his to make her husband. The earliest Hebrews knew him as their protector. The entire Mediterranean world revered and feared him.

But although he conquered armies, countries, and even foreign gods, he could not conquer his love for the one woman fate denied him, the Great Queen Khinti. With the exception of a single slave girl, every prince and general, mercenary and scribe, princess and potentate chronicled in these pages actually lived, loved and died nearly fourteen hundred years before Christ.

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Now they live again in I, the Sun.

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Download the audiobook here

Read the recent review of I, the Sun from Black Gate Magazine.

Get the book at these sites:

Amazon   B&N   iTunes   Google   WalMart

Meet the Author

https://en.wikipedia.org/wiki/Janet_Morris

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Website   Twitter   Goodreads   Facebook

*Spotlight*

*Fantastic Fiction*

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Beyond Sanctuary: Review on Black Gate Adventures in Fantasy Literature of the Revised and Expanded Author’s Cut

see original article by Joe Bonadonna on Black Gate Adventures in Fantasy Literature:  https://www.blackgate.com/2014/02/17/return-to-thieves-world-in-beyond-sanctuary-the-revised-and-expanded-authors-cut-by-janet-morris/

Return to Thieves World in Beyond Sanctuary: The Revised and Expanded Author’s Cut by Janet Morris

Monday, February 17th, 2014 | Posted by Joe Bonadonna

Microsoft Word - 09 12 24 Sacred Band Cover white horse white foLet me start off here with a quote from my Black Gate review of Janet and Chris Morris’s novel, The Sacred Band:

The Sacred Band is much more than great Heroic Fantasy: it is classic literature, filled with sub-plots, a fine cast of well-drawn characters, insight and wisdom and recurring themes of honor, faith, brotherhood and love. This novel spoke to me on a personal level because it’s a story of pure human drama and powerful emotions. While the characters are larger than life, they are also richly-drawn and written with great depth of insight and humanity. What also rings true with the Sacred Band is their military tradition, their ethos. These characters are soldiers, warriors. They are not only mythic heroes, they are also everyday heroes; real people, everyday people who face extraordinary odds and foes… The Sacred Band has the sharp edge of reality, the harshness, the bitterness and the danger of the real world. Love, loyalty, honor — these are the ideals by which these characters live and die. This novel is epic in scope. It is mythic by heritage. It is positively Homeric.

Janet Morris’s Beyond Sanctuary is the first volume in a trilogy that includes Beyond the Veiland Beyond Wizardwall, and the events in this trilogy take place before The Sacred Band, the magnificent novel by Janet and her husband Chris, which I previously reviewed here for Black Gate.

Beyond Sanctuary is a complex novel and truly literary heroic fantasy. It is textured and layered, subtle at times, and yet always powerful. Like the best of all literary fiction, it has emotional depth and human drama, subtext and a philosophy that is expressed through the thoughts, words, and deeds of its characters, and not through narrative lecture and dissertation that slows the pace of narrative thrust.

This is a novel driven by eloquent, intelligent characters with real emotions and real problems, with plots and subplots born of the classical tradition… characters that speak to us, that have something to say. And the action never falters or loses momentum. Each chapter picks up more and more steam right up until the explosive finale of the attack on Wizardwall and the resulting aftermath that ends like the final note in a great opera or symphony on the last page.

Beyond Sanctuary Thieves WorldWar is brewing and the Rankan Empire hopes to flout Mygdonian expansion into their own lands and flout the mages of Wizardwall as well. And thus, Tempus the Black, also called the Riddler, decides that it’s time to join the fight, leave the sinkhole that is Sanctuary, and go up against the sorcerers and witches of Wizardwall. So he and Nicodemus, who is also called Niko, along with Janni, Critias, Straton, and the other Sacred Band of Stepsons, set out in pursuit of two powerful and ruthless foes: Datan the archmage and the Nisibisi witch Roxane.

This is the novel where Tempus first becomes involved with Jihan, daughter of a Froth God, who is in human form for the first time. This is where a young boy named Shamshi, who comes to play a major role later in The Sacred Band, has his mage-blood first awakened by Roxane’s caresses.

This is where young Niko, who is heartsick over having lost two battle-partners, loses his maat, his sense of balance and inner peace. And this is where Roxane first spins her web to attract Niko, to play her games with him… and wants to use Tempus to destroy Datan.

Ah, but Datan has his own plans to use Tempus — to destroy Roxane! No honor among thieves? There is even less honor among mages and witches.

If you are familiar with the classic Thieves World shared-world series, you will encounter many old friends and foes herein: Lastel (aka One-Thumb), Molin Torchholder, Hanse (aka Shadowspawn), Walegrin, Grillo, and so many others. Oh, and you’ll also revisit the Maze and that most infamous den of iniquity, the Vulgar Unicorn.

The gods, too, play a huge role in this novel: Askelon of Meridian, regent of the seventh sphere and entelechy of dreams and shadows; Enlil, Storm God of the Armies, who has snubbed Tempus; Stormbringer, the father of Jihan; and Vashanka, the former patron of Tempus, who has been left behind but not forgotten, and whose shadow, like those of all the gods, hangs over the lives of all the characters, for good or for ill, sometimes helping, sometimes interfering.

The main plot and the various subplots are complex and to go into more detail would only cause me to give away too many surprises and twists and turns. But I can safely say that you won’t be disappointed in the array of fantastic characters, the intrigue and Machiavellian maneuverings of priests and politicians, and the exciting siege of Wizardwall.

Beyond the Veil Janet Morris-smallDemon dogs, were-snakes, soldiers, demons, and the heroes of the Sacred Band — those warriors “of a higher octave of being” — all clash in mighty battle. Cime the Mage Killer, sister of Tempus, lends a hand. Randal, the allergy-prone enchanter and shape-shifter, so young and so eager to prove his worth, comes into his own and earns the respect of Tempus and the Sacred Band. Niko, too, who is still very young and uncertain, hopes not to disgrace himself in front of his elders and fellow members of the Sacred Band.

For me, the theme, the heart of Beyond Sanctuary, is untried youth, of untested boys growing into men, of recruits becoming soldiers, warriors and heroes. It’s a great treat for me to revisit this series, to see the threads and foreshadowing that begin in this first book of the Trilogy and evolve and grow through the next two volumes, and how they all play out, for better or worse, in The Sacred Band.

We see the hand of Fate at work here and the influence of the gods. And what I especially like is how Morris involves the gods, how they influence mortals, take on human form, become human and fallible, but never over-shadow the mortal characters or the story itself. Though not always seen, not always taking an active part, the gods are ever there, their presence always felt; this is all superbly choreographed in the classic tradition of Greek mythology.

Beyond Sanctuary is a wonderful novel, and this edition is a brand-new, revised and expanded Author’s Cut. This is a lucid, lyrical, and powerful story of love and war, loss and betrayal, life and death. Death is the price we pay for war. Grief is the price we pay for love.

Indeed. I’ve already started reading the second book in the Trilogy, Beyond the Veil. I urge you to start here, with Beyond Sanctuary, and don’t stop reading. Ever.

Beyond Sanctuary: Author’s Cut Edition by Janet Morris, Book One in The Beyond Sanctuary Trilogy, was published by Perseid Press on November 12, 2013. It is 398 pages, priced at $24.99 in trade paperback and $4.99 for the digital edition.

Read my other reviews of Janet Morris and Chris Morris’ novels here:

The Sacred Band
Beyond Sanctuary
Beyond the Veil
Beyond Wizardwall

Character Interview: Tempus, called the Riddler, the Black, the Obscure, Favorite of the Storm God

see original post at:  https://libraryoferana.wordpress.com/2014/03/07/character-interview-tempus-fantasy/?platform=hootsuite

 

Character Interview – Tempus – Fantasy

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Tell Us About Yourself

Name (s):  Tempus, called the Riddler, the Black, the Obscure, the Sleepless One, Tempus Thales, Herakleitos, Favorite of the Storm God, the Hero.

Age:  I’ve lived for centuries, in different countries, through different times, different dimensions.

Please tell us a little about yourself:  I am a mercenary of the storm gods, servant of the gods of war.  Sometimes I find my path solitary, but often I have warriors serving with me who also serve celestial purpose.  When I was young, I contested with a sorcerer to save my sister.  From this struggle came my curse and my immortality:  those I love are bound to spurn me; those who love me die of it; I regenerate any wound I take, except wounds of the spirit or the heart.  I’ve been thrust by gods and demiurges and even my sister from one world to another, so time for me is fluid. I was born in a lost place we called Azehur then, a philosopher-prince who loved the glory of truth above all things.  Now I go where the storm god of the armies leads, carrying him in my heart and in my flesh.

Describe your appearance in 10 words or less:  Two meters tall, horseman’s body, eyes that show my age.

Do you have a moral code? If so what is it?  I have one; I wrote one; I live one.  The Sacred Band Ethos serves me most times.   At its core is this truth:  live by the Logos; fight shoulder to shoulder for freedom; honor those who die in battle.  In living I have found that character is destiny.  My character tells me this:  grab reality by the balls and squeeze.

Would you kill for those you love?  Without hesitation, I always do.

Would you die for those you love?  If I could, I would.  But death is denied me.  Once I offered to trade my immortality to save another, to no avail.  I live on, amid the strife on every battlefield, from war to war.  Some say no war I fight can be lost, no cause I champion fail, but that is mythos, not reality.

What would you say are your strengths and weaknesses?  Strengths I have many; governing those strengths is my hardest task.  My weakness resides in loving too much, all my fighters, my partners, and the world the gods have made.  For untold years my weakness was my sister in arms, Cime; then for a time it became Nikodemos, my partner.  Love of life itself, lived with heart and soul, is weakness:  one must want neither too much to live nor too much to die.  Rage is power, yet rage is weakness. Only so much can be borne from men, so much from gods.  My greatest strength is knowing one simple truth:  in change lies all good, all rest.  Glory and wisdom are all around you, in every breath taken, yet no man can discover the limits of soul.

Do you have any relationships you prize above others? I greatly prize my relationship with my Sacred Band of Stepsons, and with one special Stepson, Stealth called Nikodemos.  My relationship with my sister Cime, who was cursed with me so long ago, yet confounds my heart.

Do you like animals? Do you have any pets/animal companions?  Here too are gods:  in every creature free to breathe is proof of heaven. There is no animal that is not more noble in its way than humankind.  Horses are my greatest allies, friends and companions.  In a horse is nature’s greatest impulse, realized.  We breed some special horses in the Sacred Band:  Trôs horses, so fast they run holes in the wind; Aškelonian horses, created by the demiurge, who can run on water; we have even a ghost horse, who cannot die or be hurt whatever men may do.

Do you have a family? Tell us about them.  My Sacred Band of Stepsons is my family.  They mean the most to me.  Niko, my right-side partner, is the best of those, the closest to me.  As for my sister Cime …  some say we have no consanguinity, but we grew up together, fought a sorcerer together, staggered under our curses together; when we were younger and more angry, we wreaked great destruction together – her against sorcerers and me against human folly.  I have a mistress, Jihan, a Froth Daughter sired by Stormbringer, who begat all weather gods.  And I have a few sons and daughters, scattered here and there:  some of those are worth succouring, and so I do.

Can you remember something from your childhood which influences your behaviour? How do you think it influences you? I remember something from my youth, but you would not call those days my childhood, nevertheless, from earliest days I have taken the side of Reason against Unreason. I have spoken above of my encounter with a sorcerer, trying to protect my sister Cime, and the curses that fell upon both our heads because of that. If she hadn’t come to me to save her, would things have gone differently?  Would I have stayed where I was born, assumed my kingship?  Been content to philosophize and teach, but never act?  Probably not.  For war is all, and king of all… and all things come into being out of strife.  Unlike most, I know what gods and heroes are.  My curse and the warlike life I’ve led colors all: the battles I have fought; the dead I carry in my heart, from battlefield to battlefield, war to war. My battle with all sorcerers is not yet over; may never be.  Trying to help Nikodemos takes me back to my own young days of strife and fury.  The best men choose immortal glory in preference to mortal good. In teaching Niko, Cime and I have another chance to know the name of justice, to prove that opposition brings concord as we guide this hero, closer than any blood son to me, toward a worthy future.

Do you have any phobias?  No.

Please give us an interesting and unusual fact about yourself. When I am in battle, I am faster than any other upon the field.  If I am on a Trôs or other such horse, I can transfer my speed to my mount.  And, of course, any wound I take will heal, any limb regrow.

Tell Us About Your World

Please give us a little information about the world in which you live:  Now when I can I ‘live’ with my Stepsons in Lemuria, a seaside island citadel where time does not pass as it does elsewhere.  From there, with Cime’s mystic powers, I can stage any mission, fight in any place or time.  At this moment we are campaigning somewhere in ancient Thrace, Pelasgian times, at the whim of the storm-god Enlil, who shepherds us through all things.  War will be in the mix of it, with the god guiding us.  My Stepsons are skirmisher light cavalry; we fight with edged bronze weapons, primarily, against what hegemonies challenge us or displease the gods.  But a man is a warrior because of mind, not weaponry.  We fight with weapons at hand, against whatever confronts us, and mostly where the ancient gods still war.

Does your world have religion or other spiritual beliefs? Many.

If so do you follow one of them? I believe in admitting that all things are one.

Please describe (briefly) how this affects your behaviour:  Our world, as you call it, all that lies within humanity’s ken, is full of gods.  We are servants of history and its storm-gods, sworn to the gods of war.  Enlil is the foremost of these for my fighters and myself.  The worlds we know are polytheistic, and many wars we fight are actually theomachies – wars between gods or among gods and sorcerous humans, who warp the fates of simpler men.  Once I warred in a nearly godless future, to bring them the means to repopulate their heavens; this we did for people dying from their paucity of belief, prey to the lusts and greed and fears of others no wiser than themselves. As for myself, I am a simple warrior-philosopher; my relations with gods remain pragmatic:  when gods reside in my flesh and in my head, then they control the battle tempo, not I. Is this religion, when gods and fates and worse walk the earth?  Or is it reality?

Do you travel in the course of your adventures? If so where?  I mentioned that I go wherever the gods send me.  I have been in Akkad, in Sumer; I have been in Chaeronea, in Nisibis, in Mygdonia, in Thrace.  I have been in what you call 20th century New York City, and to a future of dying oceans and a place there called Sandia.  I have been to the ends of the earth, to Bandara, to Lemuria, to the City at the Edge of Time, and to Meridian, the archipelago of dream and nightmare.  To Meridian, I suspect the Sacred Band will soon return.

Name and describe a food from your world.  A posset:  spiced wine and cheese or milk and barley, sometimes with nuts and sometimes not; served often with lamb or fish or ox-tail.

Does your world have magic? If so how is it viewed in your world?  We have a surfeit of magic, sorcerers from every time and plane meddling with Fates and gods.  We have wars between wizards and gods.  We have sorcery to rival godhead.  Thus, because people believe more in evil than in good, it does.

What form of politics is dominant in your world? (Democracy, Theocracy, Meritocracy, Monarchy, Kakistocracy etc.)  Our world, I once said, is an everliving fire, with portions of it kindling and portions going out. In age of bronze, we hear Plato’s musings about timocracy and democracy and tyranny, as well as the elusive republic. I have lived in earlier theocracies, oligarchies, and simple hereditary monarchies, often passed down through female lines.  Meritocracy I have seen but little of; Kakistocracy is, to my mind, a condition synonymous with governance by decree of any kind and especially with simple democracy:  people will choose those most like themselves, long before they’ll choose a person one bit better:  the foolish hate the smart and try to destroy them. This truth itself dependably produces bad government.

Does your world have different races of people? If so do they get on with one another?  Prejudice lives in flesh; the black dog hates the white; the roan horse hates the chestnut; in herds, mares of one color stick together.  How different, for humans?  People hate anyone different, and call them prey.

Name a couple of myths and legends particular to your culture/people. The greatest myth is that wisdom is called by the name of Gods.  The legendary Gilgamesh sat beside the dead Enkidu seven days, until a maggot fell from Enkidu’s nose.

What is the technology level for your world/place of residence? What item would you not be able to live without?  Most of all, I need my war horses and the heroes who bestride them or drive them.  The items I need are loyalty, clarity, and justice.  The technology in my world depends on when you ask me:  sometimes we have bronze spears and war axes; sometimes we have iron flights and crossbows; sometimes we have fireballs, and armor forged by men and gods.  I have been where metal flies and chariots need no horses; in those places, man has become the slave of all he owns, afraid of having so much to lose – and thus has nothing.

Does your world have any supernatural/mystical beings? Please tell us about some.  We have a populous cosmos.  We have demons and devils and fiends; we have were-wolves and were-snakes and men and women who can change into any creature at whim.  We have undeads and necromants; we have dragons and rocs and creatures part-man who lie deep in the seas; we have Froth Daughters and Fates and Erinys and sphinxes and naiads, and creatures who lived before the gods were born and spawned them.  We have pantheons of gods, most of whom are jealous and bellicose, and deadly when they walk the earth.  We have gods within and gods without. We Stepsons ourselves are the weapons of the gods, some say.

Within your civilisation what do you think is the most important discovery/invention? That an intelligible light drives all things through all things, under a sun that is new every day.

Name three persons of influence/renown within your society and tell why they are influential (Could be someone like Christ/Mandela/Queen Elizabeth or a renowned figure from a non-human/fantasy world.)  First, Enlil, greatest of the storm gods of heaven.  Next, Harmonia, whom we call Harmony, who is Justice, and sometimes walks among my Sacred Band.  Next comes Maat who tends the Balance. For eons, Aškelon of Meridian, demiurge, ruled over the seventh sphere, realm of dream and shadows, but no longer – but that is another story.  And we have the Logos, by many different names, who some call the will of Fates and some call Thunderbolt.

Please check out further posts in the next few days for Tempus and his Sacred Band.

http://sacredbander.com/

http://www.theperseidpress.com/

https://libraryoferana.wordpress.com/2013/12/29/beyond-sanctuary-heroic-fiction-review/

https://libraryoferana.wordpress.com/2014/01/12/character-interview-number-three-nikodemos-fantasymythic/

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https://www.youtube.com/watch?v=ICAPn0E7NC0

https://www.youtube.com/watch?v=zTaDPNWAtHk
https://www.youtube.com/watch?v=B8FqgC4eK6A

http://en.wikipedia.org/wiki/The_Sacred_Band_of_Stepsons
http://en.wikipedia.org/wiki/Tempus_(novel)

http://www.ranker.com/list/famous-quotes-about-sacred-band-ethos/reference

Here are book links in chronological order, beginning with Beyond Sanctuary, the Author’s Cut, first book in the Sacred Band of Stepsons Beyond Trilogy.  Beyond Sanctuary  will be free March 7, 8, 9, 2014):

http://www.amazon.com/Beyond-Sanctuary-Sacred-Band-Stepsons-ebook/dp/B00GU0FPDG

http://www.amazon.com/Beyond-Veil-Sacred-Band-Stepsons-ebook/dp/B00GU0FIG0

http://www.amazon.com/Beyond-Wizardwall-Sacred-Band-Stepsons-ebook/dp/B00GU0FH6G

http://www.amazon.com/Tempus-Sacred-Band-Stepsons-Tales-ebook/dp/B00BI175EY

http://www.amazon.com/The-Sacred-Band-Janet-Morris-ebook/dp/B00AMLKJAI

http://www.amazon.com/Fish-Fighters-Song-Girl-Sacred-Stepsons-ebook/dp/B007VQIJFY

Here are Kindle Single links (shorter Sacred Band of Stepsons fiction):

http://www.amazon.com/Man-His-Sacred-Band-Stepsons-ebook/dp/B008MZ1T14

http://www.amazon.com/Wizard-Weather-Sacred-Band-Stepsons-ebook/dp/B00BEJX8MS

http://www.amazon.com/MAGE-BLOOD-Janet-Morris-ebook/dp/B006ZK8PLU

http://www.amazon.com/Wake-Riddler-Sacred-Band-Stepsons-ebook/dp/B0087OSP0S

Here are the Audio book links:

http://www.audible.com/pd/Sci-Fi-Fantasy/A-Man-and-His-God-Audiobook/B00BEJ7LI0

http://www.audible.com/pd/Fiction/Mage-Blood-Audiobook/B00CXVRDWM

http://www.audible.com/pd/Sci-Fi-Fantasy/Wake-of-the-Riddler-Audiobook/B00AU7IQZE

Interview with the Sacred Band’s Ghost Horse

See original post at:  https://libraryoferana.wordpress.com/2014/03/08/character-interview-ghost-horse-fantasy/?platform=hootsuite

Character Interview – Ghost Horse – Fantasy

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Something a little different today, we get to meet not only a brave animal but one who has lived and died and lived again.

Welcome to Ghost Horse, from the Sacred Band Books.

Tell Us About Yourself

Name (s):  Ghost-horse; the bay.  If you can hear me, you’ll know it.  I have no name in the way you mean.

Age:  thirteen years, interrupted by death and resurrection.

Please tell us a little about yourself:  A war-horse am I.  Strong and brave.  Straton’s horse am I, once found, then lost, then found again.  Of all the Sacred Band of Stepsons, Ace called Straton alone now rides me.  When he’s astride my broad back, nothing is impossible.

Describe your appearance in 10 words or less:  Sixteen hands, blood bay war horse, broad backed and strong.

Do you have a moral code? If so what is it?  A moral code?  Bear my rider whence he must go, forever.  Run far and fast.  Bring my rider’s battle to his enemies.  Charge boldly; never falter; never hesitate; refuse no challenge.  Feel the love, hear the words of my human partner…

Would you kill for those you love?  I do.

Would you die for those you love?  I have done so.  And been brought back to life for my human partner’s sake thereafter.  Now nothing harms me, no metal cuts me; in any battle, my blood never spills. Nowadays I do not die for love; I live for love – the love of my human partner, Straton.

What would you say are your strengths and weaknesses.  Carrots and sugar-beets, those my weaknesses, which I dearly love.  Running over green grass, into battle, finding the safest path to victory for my rider, protecting him and all his Sacred Band:  these are my strengths:  As the only ghost-horse of the Stepsons, my place is always in the forefront:  with Straton I forge new ground; I bear him everywhere, unflinching.  Such service we have seen, such places far and wide, as few horses ever see.

Do you have any relationships you prize above others? Ace called Straton, the right rider for this broad back; the right partner for my battles.

Do you like animals? Do you have any pets/animal companions?  Do I like other horses?  As with men, some horses are brave, some cowardly; some generous, some churls.  I was bitten in the throat by a man who attacked me as if he were a dog, once.  So dogs are not my friends.  Sometimes a cat will bide with me, in this stall or that.  I like cats:  they give loyalty when deserved; they are rightly cautious.

Do you have a family? Tell us about them.  I have been a cavalry horse since I was two, and chosen from a band of captured bachelors.  Straton has brought me up; he is all I trust, all I love; he is my family.  Sometimes he finds me a mare or two, but battle is my greatest passion:  in war, Straton and I find our greatest joy.  Sometimes we run for the sheer bliss, over vast plains and through forest, with no enemy in sight.  Straton’s lover, Ischade, resurrected me after the dog attacked me, after the battle in which I was mortally wounded. She loves Straton; I love Straton, so Ischade is, in some ways, under my protection.  Up behind Straton she sometimes rides me, and then no place is too far, no goal to loft, for us three

Can you remember something from your childhood which influences your behaviour? How do you think it influences you? I remember the day Straton chose me, the look in his eye, the apple in his hand.  He sent me to other men, to teach me the ways of war, and got me back again.  We have thundered into so many battles, even the Battle of Chaeronea together.  With Straton astride me, I never doubt, I never fear.  Wherever he wills to go, I can carry him, be it to hell itself and back again.  This I believe because Straton knows it:  whatever my rider thinks, I know to be true.  Wherever he wants to go, I will take him.  Whatever he needs, I try to be.  So Straton gives me the wants, the needs, the courage of a man, and I show him the wants, the needs, the courage of a horse, and together we are indomitable. A horse wants to fight or flee, as does a man; deciding which is my rider’s task.  Making his wishes real, that is mine.

Do you have any phobias?  Dogs and the men who become them.

Please give us an interesting and unusual fact about yourself. I have a spot on my withers where men can see into hell itself, and a spot on my hip where they can see into nothing at all.

Tell Us About Your World

Please give us a little information about the world in which you live:  The world in which I live is wherever my rider, Ace called Straton, wishes to go.  I have fought on Wizardwall, against the black mages of Nisibis.  I have fought on the battlefield of Chaeronea; I have fought in mystical Meridian.  Since I was foaled in Syr, I have been adventuring:  first among the other horses, until the mares cast us bachelors out; then in the high steppe country, and at last as a war-horse of first Straton and then the greater Sacred Band.  We fight in the forefront; we travel by cloud conveyance from war to war.  We have numinous allies to take us any place in space and time.  Except for my rider and the witch who loves him, all I care for is contained in Tempus’ Sacred Band.  And someday, Straton has promised me, we three will ride forever, away from witchery and angry men, in the green fields of the gods.

Does your world have religion or other spiritual beliefs? A horse believes what he can see and feel, and is bred to tell what he can trust.  We have our gods, you know:  Epona, Poseidon, Hekate, and the war gods before them:  a war-horse gives his life into his rider’s hands, and that rider gives all to the gods.  My world is full of enemies, who’d eat a horse as soon as kill a man, and those enemies have rival gods.  So we war-horses fight on the side of right, as our riders see it.  And that will never change, has been the same since the first gods were foaled.

If so do you follow one of them? I follow the gods of Ace, called Straton.  As long as he lives, that will never change.

Please describe (briefly) how this affects your behaviour:  I am a war-horse, so I go to war.  With Ace called Straton astride, I do the needful, all his gods command, since his gods are also mine.  I am a peace-keeper, so I ply angry streets.  I am an explorer, so I lope where no horse has ever gone before.

Do you travel in the course of your adventures? If so where?  I go where Ace called Straton needs to go.  I fight for him, with him, beside him.  I keep him safe whether we are in this world or another.  Anyplace a horse can go, I take him – even a world away.  I have spun in whirlwinds unto foreign lands, even Thrace and Scythia and on from there.  Not future or past or anywhere is barred from the Sacred Band of Stepsons, so in ranks we sortie.  Even Tempus, the Riddler, has commended me in public for my bravery, when I have fought in dimensions some horses never tread, and more farther realms lie just ahead….

Name and describe a food from your world.  Salt hay, tender and tan, bluest grass bitten right from the earth, roots and dirt and all; fat oats, steamed until their hulls break open; corn and molasses and flaxseed mashed.  My favorites though, are carrots with their green and lacy tops, and chunks of tender sugar-beet.

Does your world have magic? If so how is it viewed in your world?  Magic is the necromant who resurrected me, gave me a chance to come back to this world for the rider whom I love.  Some think magic is aught than natural; I say magic is the wind in your mane, yielding turf underfoot, and a rider on a mission.

What form of politics is dominant in your world?  Politics are for mares and men, not for stallions.  I will walk upon my hind legs to strike any enemy of my rider or my mares and foals.  I will trample jackals and lions and feral dogs.  I believe in giving one warning squeal, and a bellow of promise; then I strike, unashamed, to defend what is mine:  that is the extent of politics for me.  The rest is clacking of jaws and whistles on the air.

Does your world have different races of people?  We have humans of every color and belief and shape and size, just as we have horses as diverse.  In a herd of horses, as in a crowd of people, those who are alike band together against those of different nature.

Name a couple of myths and legends particular to your culture/people. In ancient times, Zeus gave two horses to Tros, king of Troy, to console the king after the god had taken Ganymede for his young lover.  From those great horses, the best, the strongest, the fastest horses are sprung.

What is the technology level for your world/place of residence? We have chariot with metal-bound wheels and axles fitted with scythes.  Some of us wear armor, felt or scales of metal.  Some of us have iron shoes upon our hooves.   What item would you not be able to live without?  My rider.

Does your world have any supernatural/mystical beings? Please tell us about some.  This world is full of gods, mages, shape-shifters; and demi-gods, and elementals – even a demiurge or two and creatures who spawn weather gods and fashion fates.

Within your civilisation what do you think is the most important discovery/invention? Horsemanship, so that we and our riders can be better partners.

Name three persons of influence/renown within your society and tell why they are influential (Could be someone like Christ/Mandela/Queen Elizabeth or a renowned figure from a non-human/fantasy world.)  Hekate, goddess of race horses.   The Hippoi Athanatoi, the immortal horses of the gods themselves, offspring of the weather gods themselves; and all the Hittite god of horses, Tarhun, in and of himself a storm god.

Author notes:

Book(s) in which this character appears plus links

The Sacred Band  http://www.amazon.com/Sacred-Band-Janet-Morris-ebook/dp/B00AMLKJAI

The Fish the Fighters and the Storm God  http://www.amazon.com/Fish-Fighters-Song-Girl-Sacred-Stepsons-ebook/dp/B007VQIJFY

Author name: Janet Morris and Chris Morris

 

Website/Blog/Author pages etc.

http://en.wikipedia.org/wiki/The_Sacred_Band_of_Stepsons

https://www.facebook.com/TheSacredBand

https://www.facebook.com/JanetMorrisandChrisMorris

https://www.facebook.com/JanetEMorris

https://www.facebook.com/christophercmorrissings

https://www.facebook.com/fishfightersonggirl

https://www.facebook.com/SacredBandBeyondTriolgy

https://www.facebook.com/PerseidPublishing

http://www.theperseidpress.com/

http://sacredbander.com/

http://www.amazon.com/Janet-Morris/e/B001HPJJB8/ref=ntt_athr_dp_pel_1

http://en.wikipedia.org/wiki/Janet_Morris

http://www.amazon.com/Chris-Morris/e/B008L41JNO/ref=ntt_athr_dp_pel_2

http://en.wikipedia.org/wiki/Chris_Morris_(author)

The Ghost Horse Interview from the Sacred Band of Stepsons series

see original link at: https://libraryoferana.wordpress.com/2014/03/08/character-interview-ghost-horse-fantasy/?platform=hootsuite

 

Welcome to Ghost Horse, from the Sacred Band Books.

Tell Us About Yourself

Name (s):  Ghost-horse; the bay.  If you can hear me, you’ll know it.  I have no name in the way you mean.

Age:  thirteen years, interrupted by death and resurrection.

Please tell us a little about yourself:  A war-horse am I.  Strong and brave.  Straton’s horse am I, once found, then lost, then found again.  Of all the Sacred Band of Stepsons, Ace called Straton alone now rides me.  When he’s astride my broad back, nothing is impossible.

Describe your appearance in 10 words or less:  Sixteen hands, blood bay war horse, broad backed and strong.

Do you have a moral code? If so what is it?  A moral code?  Bear my rider whence he must go, forever.  Run far and fast.  Bring my rider’s battle to his enemies.  Charge boldly; never falter; never hesitate; refuse no challenge.  Feel the love, hear the words of my human partner…

Would you kill for those you love?  I do.

Would you die for those you love?  I have done so.  And been brought back to life for my human partner’s sake thereafter.  Now nothing harms me, no metal cuts me; in any battle, my blood never spills. Nowadays I do not die for love; I live for love – the love of my human partner, Straton.

What would you say are your strengths and weaknesses.  Carrots and sugar-beets, those my weaknesses, which I dearly love.  Running over green grass, into battle, finding the safest path to victory for my rider, protecting him and all his Sacred Band:  these are my strengths:  As the only ghost-horse of the Stepsons, my place is always in the forefront:  with Straton I forge new ground; I bear him everywhere, unflinching.  Such service we have seen, such places far and wide, as few horses ever see.

Do you have any relationships you prize above others? Ace called Straton, the right rider for this broad back; the right partner for my battles.

Do you like animals? Do you have any pets/animal companions?  Do I like other horses?  As with men, some horses are brave, some cowardly; some generous, some churls.  I was bitten in the throat by a man who attacked me as if he were a dog, once.  So dogs are not my friends.  Sometimes a cat will bide with me, in this stall or that.  I like cats:  they give loyalty when deserved; they are rightly cautious.

Do you have a family? Tell us about them.  I have been a cavalry horse since I was two, and chosen from a band of captured bachelors.  Straton has brought me up; he is all I trust, all I love; he is my family.  Sometimes he finds me a mare or two, but battle is my greatest passion:  in war, Straton and I find our greatest joy.  Sometimes we run for the sheer bliss, over vast plains and through forest, with no enemy in sight.  Straton’s lover, Ischade, resurrected me after the dog attacked me, after the battle in which I was mortally wounded. She loves Straton; I love Straton, so Ischade is, in some ways, under my protection.  Up behind Straton she sometimes rides me, and then no place is too far, no goal to loft, for us three

Can you remember something from your childhood which influences your behaviour? How do you think it influences you? I remember the day Straton chose me, the look in his eye, the apple in his hand.  He sent me to other men, to teach me the ways of war, and got me back again.  We have thundered into so many battles, even the Battle of Chaeronea together.  With Straton astride me, I never doubt, I never fear.  Wherever he wills to go, I can carry him, be it to hell itself and back again.  This I believe because Straton knows it:  whatever my rider thinks, I know to be true.  Wherever he wants to go, I will take him.  Whatever he needs, I try to be.  So Straton gives me the wants, the needs, the courage of a man, and I show him the wants, the needs, the courage of a horse, and together we are indomitable. A horse wants to fight or flee, as does a man; deciding which is my rider’s task.  Making his wishes real, that is mine.

Do you have any phobias?  Dogs and the men who become them.

Please give us an interesting and unusual fact about yourself. I have a spot on my withers where men can see into hell itself, and a spot on my hip where they can see into nothing at all.

Tell Us About Your World

Please give us a little information about the world in which you live:  The world in which I live is wherever my rider, Ace called Straton, wishes to go.  I have fought on Wizardwall, against the black mages of Nisibis.  I have fought on the battlefield of Chaeronea; I have fought in mystical Meridian.  Since I was foaled in Syr, I have been adventuring:  first among the other horses, until the mares cast us bachelors out; then in the high steppe country, and at last as a war-horse of first Straton and then the greater Sacred Band.  We fight in the forefront; we travel by cloud conveyance from war to war.  We have numinous allies to take us any place in space and time.  Except for my rider and the witch who loves him, all I care for is contained in Tempus’ Sacred Band.  And someday, Straton has promised me, we three will ride forever, away from witchery and angry men, in the green fields of the gods.

Does your world have religion or other spiritual beliefs? A horse believes what he can see and feel, and is bred to tell what he can trust.  We have our gods, you know:  Epona, Poseidon, Hekate, and the war gods before them:  a war-horse gives his life into his rider’s hands, and that rider gives all to the gods.  My world is full of enemies, who’d eat a horse as soon as kill a man, and those enemies have rival gods.  So we war-horses fight on the side of right, as our riders see it.  And that will never change, has been the same since the first gods were foaled.

If so do you follow one of them? I follow the gods of Ace, called Straton.  As long as he lives, that will never change.

Please describe (briefly) how this affects your behaviour:  I am a war-horse, so I go to war.  With Ace called Straton astride, I do the needful, all his gods command, since his gods are also mine.  I am a peace-keeper, so I ply angry streets.  I am an explorer, so I lope where no horse has ever gone before.

Do you travel in the course of your adventures? If so where?  I go where Ace called Straton needs to go.  I fight for him, with him, beside him.  I keep him safe whether we are in this world or another.  Anyplace a horse can go, I take him – even a world away.  I have spun in whirlwinds unto foreign lands, even Thrace and Scythia and on from there.  Not future or past or anywhere is barred from the Sacred Band of Stepsons, so in ranks we sortie.  Even Tempus, the Riddler, has commended me in public for my bravery, when I have fought in dimensions some horses never tread, and more farther realms lie just ahead….

Name and describe a food from your world.  Salt hay, tender and tan, bluest grass bitten right from the earth, roots and dirt and all; fat oats, steamed until their hulls break open; corn and molasses and flaxseed mashed.  My favorites though, are carrots with their green and lacy tops, and chunks of tender sugar-beet.

Does your world have magic? If so how is it viewed in your world?  Magic is the necromant who resurrected me, gave me a chance to come back to this world for the rider whom I love.  Some think magic is aught than natural; I say magic is the wind in your mane, yielding turf underfoot, and a rider on a mission.

What form of politics is dominant in your world?  Politics are for mares and men, not for stallions.  I will walk upon my hind legs to strike any enemy of my rider or my mares and foals.  I will trample jackals and lions and feral dogs.  I believe in giving one warning squeal, and a bellow of promise; then I strike, unashamed, to defend what is mine:  that is the extent of politics for me.  The rest is clacking of jaws and whistles on the air.

Does your world have different races of people?  We have humans of every color and belief and shape and size, just as we have horses as diverse.  In a herd of horses, as in a crowd of people, those who are alike band together against those of different nature.

Name a couple of myths and legends particular to your culture/people. In ancient times, Zeus gave two horses to Tros, king of Troy, to console the king after the god had taken Ganymede for his young lover.  From those great horses, the best, the strongest, the fastest horses are sprung.

What is the technology level for your world/place of residence? We have chariot with metal-bound wheels and axles fitted with scythes.  Some of us wear armor, felt or scales of metal.  Some of us have iron shoes upon our hooves.   What item would you not be able to live without?  My rider.

Does your world have any supernatural/mystical beings? Please tell us about some.  This world is full of gods, mages, shape-shifters; and demi-gods, and elementals – even a demiurge or two and creatures who spawn weather gods and fashion fates.

Within your civilisation what do you think is the most important discovery/invention? Horsemanship, so that we and our riders can be better partners.

Name three persons of influence/renown within your society and tell why they are influential (Could be someone like Christ/Mandela/Queen Elizabeth or a renowned figure from a non-human/fantasy world.)  Hekate, goddess of race horses.   The Hippoi Athanatoi, the immortal horses of the gods themselves, offspring of the weather gods themselves; and all the Hittite god of horses, Tarhun, in and of himself a storm god.

Author notes:

Book(s) in which this character appears plus links

The Sacred Band  http://www.amazon.com/Sacred-Band-Janet-Morris-ebook/dp/B00AMLKJAI

The Fish the Fighters and the Storm God  http://www.amazon.com/Fish-Fighters-Song-Girl-Sacred-Stepsons-ebook/dp/B007VQIJFY

Author name: Janet Morris and Chris Morris

 

Website/Blog/Author pages etc.

http://en.wikipedia.org/wiki/The_Sacred_Band_of_Stepsons

https://www.facebook.com/TheSacredBand

https://www.facebook.com/JanetMorrisandChrisMorris

https://www.facebook.com/JanetEMorris

https://www.facebook.com/christophercmorrissings

https://www.facebook.com/fishfightersonggirl

https://www.facebook.com/SacredBandBeyondTriolgy

https://www.facebook.com/PerseidPublishing

http://www.theperseidpress.com/

http://sacredbander.com/

http://www.amazon.com/Janet-Morris/e/B001HPJJB8/ref=ntt_athr_dp_pel_1

http://en.wikipedia.org/wiki/Janet_Morris

http://www.amazon.com/Chris-Morris/e/B008L41JNO/ref=ntt_athr_dp_pel_2

http://en.wikipedia.org/wiki/Chris_Morris_(author)

Interview from the Void: Chris Morris by Donny Swords

It is my honor to introduce Christopher Crosby Morris.  His passion to connect with life, and its people, and to be an honest, true voice that shines out is an extremely valuable blessing.  I have had the opportunity to interview Janet Morris his extraordinarily talented wife already.  I knew Chris’ responses would be very informative.  I had no idea how insightful of an interview I was in for.  I am humbled.  Chris Morris possesses fiber, that something which took years of practice, and years of pushing beyond mastery to possess.  His writing- no matter the medium, whether you prefer audiobooks, music, or written prose challenges and moves the mind into directions not often pursued, but well worth the journey.  I have been listening to Chris narration of the Sacred Band available on audio lately, and as a singer who has studied formerly under one of the greatest voice instructors of all time I have to say that I would not be able to deliver so much substance, such enriching quality in my deliveries, even using my characters. In short, Chris Morris is astounding.  Keep reading to begin finding out why.

Hello, thank you for agreeing to the interview.  Would you tell us a little about yourself?
A must have! Click Here.My pleasure. My consuming passion is voice in all its aspects, but especially as it manifests in storytelling, both in prose and verse, literature and song. Metaphorically voice represents many things, even the sum of a life. Voice is a double-edged sword we learn to wield to our benefit or detriment. Most recently I’ve assumed the task of narrating our prose catalog and am thrilling to offer publicly what has heretofore been a private but seminal feature of our writing process.
 
You write as a team with your wife Janet Morris.  When did you first become drawn to writing, was it before or after you met her?
Before. Since childhood I’ve enjoyed arranging words to varied effect. In my youth I became a marvelous liar, more because of my fascination with discerning and fabricating what people wanted to hear than from mischievous or malicious intent. When Janet and I met our first collaborations were songs, many of which I still perform today — they are that good. She wrote stories from a very early age. A lasting part of our attraction was and is a shared desire to precisely express what life is showing us, and that means capturing those observations in story form. The difference — or complementarity — between us is that she is expansionist in her portrayals and I am reductionist.
 
You are a musician, when did you start playing?  What instruments do you play?
My older sister and brother proved miserable piano students, so our parents decided that Christopher could do without. Unbeknownst to me (and thankfully so), I was spared the disadvantage of entering musical life through the doorway of percussion. I’m a baritone and baritones seldom wow anyone vocally until the instrument develops, usually in one’s mid- to late twenties. Therefore my public school music teacher, Ms. Hutton, smiled commiseratingly and showed me to a seat with alto boys whose glee club lot was to huff and puff in support of the shrill girls reciting rote melodies. I loved it: anonymity and license to experiment with pitches against a preprogrammed backdrop of boys droning away predictably. In short, I sang, and still sing, first and foremost. And I utterly believe that all music in the human bandwidth derives from controlled breathing.
Guitar started for me at age eleven and is my most satisfying lifetime tool-oriented skill path, several times requiring me to experience the miracle of starting over in order to thoroughly master basic aspects. At this point I am pretty deeply into creating digital models of guitars impossible to achieve in strictly analog settings; I use custom built guitars with Graphtech’s Ghost hexaphonic sensors fed to Roland’s VG99 effects unit, then into a Yamaha board (with my vocal mic) and out in stereo to one of two twin Bose tower monitor systems (L1 and/or L1 Compact) so I am always in the same sound field as any listener. This all stems from wanting a bigger – not louder – guitar sound. I “build” a guitar for any song that needs something a little different and now have twenty or thirty pretty amazing guitars dial-able from one setup. Can’t wait for you to come check it out, and we be jammin’ man.
 
To me the guitar is a universe of possibilities, which is the same with writing.  Do you ever feel limited by people’s expectations of you and your crafts?
I could spend an hour on your first statement here, but will answer the question bit first. No, I no longer feel constrained due to others’ irrational calculations of what comprises art. I say ‘no longer’ because every creative must ascend from the pit of self-doubt into the light of self-knowledge and mastery through determined focus and practice. In his autobiography Miles Davis stated the gospel: “The most difficult thing a musician can do is sound like himself.” And, as you said in that first sentence, it’s “…the same with writing.”
 
When I played onstage I got instant feedback as to how I was doing.  I often find it difficult when I release a book and it gets less attention than I’d hoped.  Does your perception of what you feel will or won’t be received well change when you consider your fan base?
Buy Music
No, nor should it for you. This is a variant of the last question, but with a putative contrast between two, on the surface, apparently different art forms. Beneath the surface however they are so closely related as to be nearly identical: they are both listening sports, simultaneously involving the sources and receivers and overlapping the roles of each. Anything you can say of one has an obvious parallel in the other, the biggest difference being in rate of transmission.
One of the glories of human consciousness is that we can hear ourselves hearing ourselves. Shakespeare was the first to portray characters listening to their own inner voice, “the invention of the human” as Harold Bloom calls it. In both music and literature you are your own first audience and, if you like what you hear, by any and all means do not hesitate to proceed for want of external approbation. They are your audience, not your judges. Disregard this truth and that way lies madness.
 
Get your copy here Does a really good review feel as good as a standing ovation at a gig, or are they apples and oranges?
Glad you asked. Distrust both. If you pin your self-esteem to them and their approbation or lack thereof, you are lost. As Heraclitus said, “He who is praised to the skies lives a life of fantasy.”
 
You and your wife Janet are a team, how does that dynamic play out when you are developing a novel?  When it is underway?
Our novels develop from conversations reaching a point where further elucidation will best be accomplished by the exploration of personality(ies) in our case, fictional heroes — living their way through circumstances embodying the challenge under consideration. Our working definition of a hero is one who struggles in service to an ideal; if we run out of ideals we may write a different sort of book, but that protagonist would most likely be struggling to find out what happened to all the missing ideals … hmmm.
When the book is under way it’s buckle up time, the blessed state, because (and this is hard for many of our writer buddies to accept) we honestly don’t know everything that’s going to happen. The way to find out the details is to go where only the characters can take us. By that time we are way onboard and strapped in and boldly going we know not where, but headed for a climax we’ve seen but not yet lived. Fun or what? Is it real? For us and the characters, you bet. Does it have that precious quality of feeling true to life? Yup. That’s the reward of the collaborative arrangement; it imparts a binaural, binocular, bi-conscious view of uncertainty, which we and a host of readers find magnetic.
 
When you edit do you have a process?
When Janet began drafting (typing, mind you) High Couch of Silistra I would read her day’s output (and still do) aloud, because sound is primary to my apprehension, especially if analytics are involved. When I draft we do the same. Although it might seem laborious, this actually saves time and speeds up the rate at which we achieve publishable work. Linguistic anomalies can be heard by the ear and missed by the eye; our editing voice benefits from two sets of each. I’m frequently amazed at how much a slight alteration of pitch or emphasis can inform the net effect of syntax. If we have a passage that wants to be heard a certain way it’s incumbent on us to nail the punctuation so the experienced reader ‘hears’ it.
 
Since you began as a published author, how have things changed?
It might be easier to list what hasn’t changed, but for those tuning in late there’s: lots more slush being published and given away; increased ability of content providers to call the shots at every production level; no more meddling middle-folk; no more security of the reasonable advance for a multi-book deal; lots more transparency; even more slush being published and given away; piracy; more feedback from readers and trolls; general confusion as to what intellectual property is and how to preserve ownership of it; still more slush being published and given away; genre-fication whelping a litter of niche-of-a-niche-of-a-niche popularity contests; ability to purchase emblems of legitimacy bestowed for a price by formerly powerful arbiters of taste such as Kirkus; global reach to millions of readers; yet more slush being published and given away, or did I say that enough?
 
One of your recent projects was narrating the audio book “The Sacred Band”.  Could you tell us what it takes to accomplish such a feat?
Like anything worth doing, it takes tenacity and focus. Because it was a first-time project The Sacred Band audio book involved a learning curve which added time and cost. I’m a team player and narration has a solitary aspect to it; I’m getting accustomed to it, but I was grateful for the technical assistance of a good friend who babysat me as I got this first one recorded over a period of a little more than a year. If I narrated full time it might now take me only eight or nine weeks. I’m working in Adobe Audition and can handle everything up to but not including audio-post mastering chores (adding noise reduction, some compression and normalization processing before converting to Mp3 for submission). I am an ACX.com (Amazon>Audible>ACX) user and have no plans to market outside their considerable infrastructure; I’d recommend them to beginners because they’ve done the homework necessary to service all the stakeholders in a project. ACX is also a good place to listen to samples of what other production teams are doing and obtain a reference point of view as to what constitutes a finished product. ACX costs nothing to join; they’re compensated from what Audible gets from sales of your book.
 
I say feat due to your performance.  You are merged with your and Janet’s characters in that delivery.  This summoning of Tempus or whomever is speaking shows a deep connection to your characters.  Do they make you laugh or cry?
I had already read The Sacred Band aloud two or three times before embarking on the narration. We are meticulous about “voicing” our characters and punctuate and format very carefully to emphasize their characteristic speech patterns while still retaining transparency of style. For our first audio project we decided to hire Alex Hyde-White to learn the ropes and see how an accomplished pro would narrate our material. He did a bang-up job with Wake of the Riddler, a shorter TW piece of Janet’s, and immediately caused me to realize what I could bring to our work because of my greater familiarity. I am gratified that you heard the characters coming through because after experimenting with inventing a distinctive sound for each character I opted instead to read with consistently clear articulation and to respect each character’s mood and message within the limits of my voice rather than risk caricature.
They don’t make me laugh or cry. They make me disappear. I miss that when we’re not together.
 
Your music is intelligent and endearing, quite moving actually, were you going for the same effect on the audio book?
Thank you. Yes, in both cases it turns out to be what I do instinctively. After countless attempts to sound “commercial” musically, I finally took Miles’ advice and dared to embrace what comes out of me ingenuously. Being comfortable in one’s own skin is worth whatever effort is required to make it so. It took me decades to get there (hence my remarks about the acclaim of others) but once arrived, I rejoice to possess sheer bandwidth that accommodates a broad spectrum of emotion without disproportion.
 
What is your take on violence in books?
Gratuitous…or not. If a story is merely a vehicle to roll out a train of atrocities, what’s the point except to titillate adolescent sensibilities? Writers of all sorts leverage threats of violence, many to avoid the laborious task of carefully laying out a sequence of events building to a genuine need for overt confrontation. I write for the more experienced reader, and myself, who want a little more justification, realism, and reason to care what happens than a story where hardware and machinery are indistinguishable. No doubt about it, there’s violence in books.
 
Who are your favorite musicians?  Authors?

Ray, Mose, kd, Chet, Tony, Sly, Diana Krall, Tommy Emmanuel, Bill Evans, JS Bach, CPE Bach, Mozart, Davey Spillane, Bela Fleck, Victor Wooten, Nat, Haydn, Corelli, Leadbelly (see video), Lightnin’, Jeff Lynne, Roy Orbison, Dinah Washington, Aretha but she ticks me off, Eddy Arnold, Mitchell Parish (wrote the lyrics to Stardust), Carmichael (wrote the melody to Stardust), Michel Legrand.
Janet Morris, Arthur Clarke, Hermann Hesse, John Milton, Will Shakespeare, Jack London, Will James, Marcus Aurelius, Seneca, Heraclitus of Ephesus, P. G. Wodehouse, Harold Bloom, Homer, Deborah Koren, Mika Waltari, Sam Harris, Roger Penrose.
 
How long did it take to compose the backing track on the Outpassage trailer?
Read Outpassage It took about two days, back in late ’78, culminating in that recording. It’s a song called No Man’s Land, a bedroom demo recorded on a TEAC 10 inch four track reel to reel with Janet on bass, Leslie Kuipers on guitar, Nathan Seely on drums, Ted Lo on ARP string synthesizer, and me on guitar and vocal. It smoked sufficiently that we began playing the Boston fusion clubs around Berklee and generally had a very good time. We were regrouping after moving back from LA in the wake of the MCA album’s short but glorious run, and I still had three quarters of my band to work with and Ted and Nathan eager to jump in. We were listening toMahavishnu and Return to Forever and I was wondering why nobody ever sang over that kind of stuff, plus it was in my “sky high” period when I’d figured out how to build section momentum with circular patterns. The song has some cool cousins I’ll put up pretty soon. What I’m digging now is that shelf life is pretty much irrelevant these days and No Man’s Land has a rabid following on a site called NumberOneMusic.com ; entry level listeners take in Hendrix and Gaga and Norah and Eminem and me all at once and could care less when a piece of music was made or even whether the artists are still alive.
 
Tell us about your publishing house.
Perseid is damning the torpedoes and putting out stuff that is representative of what we grew up wanting to read; we say books for experienced readers, or books worth reading.
 
What inspires you?
My favorite of your questions.
Growth. A starry sky. Acceptance of the greater without diminution or forfeit of personality. Personal truths: the value of distinguishing between what one is told and what one learns from experience. The love of a dog. The suppositions of consciousness turned upon itself. In music the ability to reharmonize melody, steal time (rubato) and imply realms beyond physical scope. Kindness. Exploring Heraclitus’ thesis that all things are reflected in all things. The hunger for truth, beauty and goodness. Sister Wendy.
We live in cataclysmic times, for all I know analogous to all preceding ages. What is unknown to me so overwhelmingly eclipses what is known that my fate is to be inured to the idea that uncertainty is somehow requisite to continuity. I accept. I am human for a blink, a moment in an infinite progression. My moment too is subsumed in eternity and, being part, reflects its whole — harbors the DNA of the eternal — from micro to meta. So, even as a relatively infinitesimal particle I may intake my portion of the entire mystery of mysteries. If I am a moment, so am I eternal. Beyond cool.
And partnership…to host an intellectual life is a high privilege, to share such a life closely, transcendent, to make art of such sharing, nonpareil.
 
For readers new to your novels, which three would you recommend?
 
The Sacred Band (book, e-book, audio book) Click Here.
 Outpassage (book, e-book) Read Outpassage
The Fish the Fighters and the Song-girl (book, e-book). Buy
 
How important are reviews to you?  For marketing?  For sales?
 
Reviews are Rorschachs of their writers, offering subjective accounts of questionable exposure to some work or other. The substance of reviews is of most interest to other reviewers. Although taken for marketing currency, reviews are seldom value added. Creators inevitably fail to accurately calculate the effect of reviews on sales because the study of the relationship is an inexact science at best, at worst an obsession stymieing their creative efforts for lack of prudent allocation of attention.
 
Now advertising is a little different….
I would like to thank Chris Morris for this famously insightful and encouraging interview.  It is good to know the human condition is not wasted on him- but rather seen as an opportunity to grow.  Bravo- Chris!  See everyone next time.  🙂Thanks for reading.Donny  
Chris’ Links: http://www.amazon.com/The-Sacred-Band/dp/B00N1YRVH2/http://www.audible.com/pd/Sci-Fi-Fantasy/The-Sacred-Band-Audiobook/B00MU2VCEO/http://www.amazon.com/Outpassage-Janet-Morris-ebook/dp/B00IDC1E84/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=&qid=http://www.amazon.com/Fish-Fighters-Song-Girl-Sacred-Stepsons-ebook/dp/B007VQIJFY/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1410294833&sr=1-1&keywords=the+fish+the+fighters+and+the+song-girlhttp://numberonemusic.com/christophercrosbymorris/https://www.reverbnation.com/christophercrosbymorris?profile_view_source=profile_boxhttp://www.amazon.com/Everybody-Knows-Christopher-Morris-Band/dp/B004GNEF3A/https://soundcloud.com/christopher-morris http://www.amazon.com/Chris-Morris/e/B008L41JNO/ref=ntt_athr_dp_pel_2https://www.facebook.com/JanetMorrisandChrisMorrishttps://www.facebook.com/christophercmorrissings http://www.sacredbander.comhttp://www.theperseidpress.com/# http://www.facebook.com/christopher.c.morris.7?fref=ts http://en.wikipedia.org/wiki/Chris_Morris_(author)https://www.youtube.com/watch?v=CLqxH_Tx5VA https://www.youtube.com/watch?v=7g79LZAgk8w https://www.youtube.com/watch?v=2EylzKQa4yghttps://www.youtube.com/watch?v=BCv4GA5W5eA https://www.youtube.com/watch?v=ICAPn0E7NC0 https://www.youtube.com/watch?v=5SQFmxwfT7ghttp://www.amazon.com/Outpassage-Janet-Morris-ebook/dp/B00IDC1E84/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=&qid=    Where to find Donny Swords stuff:   Donny Swords author ( Facebook )  (Blog) Primal Publications (Facebook )  (Blog) The Indie Collaboration ( web )   Novels & Links

Professor Baker’s review of Golden Sword

see original article at:  https://profesorbaker.wordpress.com/2016/05/18/bookreview-asmsg-the-golden-sword-the-silistra-quartet-book-2-by-janet-morris/

#BookReview #ASMSG The Golden Sword (The Silistra Quartet Book 2) by Janet Morris

 

Prologue:

984289_ehwhebupMy review of High Couch of Silistra, (The Silistra Quartet, Book 1), is here. The first three volumes of the Silistra Quartet had more than 4 Million copies in Bantam print when the fourth volume was released.

The series was translated into French, German, and Italian editions. The series is built on the premise that biology is reality, and much of human behavior is hard-wired.

High Couch of Silistra was the first book of its kind, mixing science fiction and fantasy with metaphysics and hotly debated issues of sexuality, and many of its truths are as controversial today as when the series first appeared in 1977, and has spawned generations of imitators.

The Silistra Quartet is based in Greek mythology, but its civilization has never heard of the planet Earth. People of color make up the heroes and main characters in this series.

Synopsis

The Battle of the Sexes is never over…

Estri, the Well-Keepress of Astria and High Couch of Silistra, the highest office in the land, has continued her quest to locate her god-like “Shaper” father to his home planet, Mi’ysten, where she is tested and shown to have inherited his powers.

Following further training in the ability to manipulate time and probabilities with her mind, Estri is abruptly returned to Silistra after an absence of two local years. Many changes have taken place in the power vacuum her absence left and Estri must conquer her immediate captor, Chayin, Cahndor of the violent Parset desert tribes, in order to continue her quest to save the Silistran people who are dying out from infertility.

The Parset tribes cultivate and grow the plants from which the costly longevity drugs sold throughout the Bipedal Federation are made. Renegade members of the Bipedal Federation offer proscribed hi-tech weapons to leaders of the warring tribes in exchange for exclusive access to the longevity drugs, assuring that tribe’s domination of the rest.

Chayin rejects their offer, knowing it will end in the destruction of his people from greed and power. The BF keeps counting on at least one tribal leader’s greed to eventually agree to accept their offer, allowing one tribe to conquer all others with off-world weapons.

Estri and Chayin must find Sereth, former Slayer of Estri’s home who aided her in beginning her quest and was made outcast afterward (because Estri disappeared under his protection). Estri, Chayin and Sereth must join in a triad, forging a bond created by their innate powers and intense love to assure the future of the planet.

After they defeat Chayin’s various tribal opponents, they conquer Estri’s enemy of hundreds of years, her father’s grandson, Raet, and hope they can have a respite from tribulation. However, Khys, the semi-mythical, usurper overlord of the planet, abducts the triad to his sacred city and binds Estri with a device that suppresses her powers and causes her to lose her memory.

With Estri in his control, he elevates Chayin to be his puppet overlord of all the Parset, but leaves active Chayin’s own in-born powers that may drive him insane. Khys forces Sereth into the role of a “trusted” vassal who remembers everything about Estri, Chayin and their pasts.

Helpless before his power, Chayin and Sereth cannot stop Khys from impregnating an unsuspecting Estri to take advantage of her “Shaper” genetics. Khys gloats, triumphant in assuring himself a powerful and gifted heir, while believing no being in the universe is powerful enough to deny him what he truly desires: return of the technology that nearly destroyed the planet and forced the population underground into “hides” until their world recovered enough from the devastation to support life again. For a time, he’s correct…

*****

Top Customer Review

By altos on May 10, 2010

Estri, the heroine of High Couch of Silistra, a/k/a “Returning Creation, ventures further than she ever has before into this exotic and sensual fantasy novel. Here she meets Chayin, price of an alien culture, and discovers more about her past, and future. Full of passion and adventure, this is the second book in the Silistra series of four volumes.

High Couch of Silistra was reviewed by the New York Times Sunday Book Review with great enthusiasm (June 26, 1977), and created a firestorm of controversy and a genre of imitators.

All four books were published in French, German, Italian, and other foreign-language editions, as well as multiple editions in the States. The German covers are the best.

 

Sensual and multi-layered, this book can be read as erotic fantasy or as a much deeper exploration of the limits of female — and male — sexuality and the effect of sex on decision making.

Be warned: the main characters are all bisexual and very smart.

Janet Morris lets you choose how deep you go: read it for the titilation of the body, or of the mind. By the time ‘Wind from the Abyss,’ third volume in this series appeared, rival publishers were welcoming their authors “to the pantheon of Janet Morris” in full color posters and splashy ads.

See where sexual liberation and strong female characters really got started in science-fantasy. But be warned: Estri is no male in high heels.

Get inside the feminine psyche as never before or since as Estri gains power and begins to wonder what her limits are, and how powerful women can co-exist with their male counterparts.

A fully realized culture, complete with a language and mythology and ethos different from any other, rounds out the series.

Remarkably realistic, considering its content and the driving philosophy behind the tales, there’s never been anything like the Silistra series before or since.

Erotic and unabashedly exploring the relationship of sex to power, the Silistra series will make you think about why we do what we do. I adored it, and read all four more than once. So will you.

*****

5.0 out of 5 stars

984289_ehwhebupI am deeply tempted to simply write, five stars, place a period, no, an exclamation mark after the word “stars”, and thusly be finished with my review.

Tempted, yes, but I won’t do that. Not just yet.

Let me put two questions to you, dear reader(s):

  1. Is there anything I can say in this review, that would dissuade you to not buy this book, if you have already decided to buy the book?
  2. Conversely, is there anything I could possibly say in this review, to persuade you to buy this book, if you had already decided, not to buy this book?

My recommendation is that you purchase the book, based on its literary merit.

Why? Here we have a series of four books, a quartet. It was first published in 1977. That’s 39 years ago. It’s May, 2016. It’s half a century later. Imagine you read this book in 1977, went to sleep after reading it, and then woke up today, May 18th, 2016.

You would probably think you had woken up in the world described in this book. At least, its primary subject matter, low fertility rates, is still holding up pretty well. It’s consistent with what Janet Morris explores in this series.

In fact, we could go ahead and call Janet Morris a prophet. In today’s world, according to the United Nations Data Booklet “World Fertility Patterns” (2015), birthrates in developed countries are declining. Global fertility is now 2.5 children per woman.

I must ask the question: How does a woman have half a child? Impossible, I know. We’re talking statistics here, and such things are possible. Let me quote directly from that booklet:

“Fertility patterns in the world have changed dramatically over the last few decades.Global fertility has reached unprecedented low levels…” (end of quote) What is even more worrying is the fact that “nearly half the world lives in below-replacement level fertility countries.”  Let me give you the facts straight from page 6 of the report:

“Today, 46 per cent of the world’s population lives in countries with low levels of fertility, where women have fewer than 2.1 children on average. Low-fertility countries now include all of Europe and Northern America, as well as many countries in Asia and Latin America and the Caribbean.

Another 46 per cent of the world’s population lives in “intermediate fertility” countries that have already experienced substantial fertility declines and where women have on average between 2.1 and 5 children.

The remaining 8 per cent of the world’s population lives in “high-fertility” countries that have experienced only limited fertility decline to date. In these countries the average woman has five or more children over her lifetime. Most of these countries are in sub-Saharan Africa.” (end of quote)

So, as I said before, author Janet Morris is a prophet. She got out her crystal ball one day and looked into the future. She saw a world in decline, fertility rates dropping, the population getting older and older, and the birth rate unable to keep up with the mortality rate.

I think it’s not necessary for me to tell you that under these circumstances, the human race would eventually become extinct. What this book does is imagine the desperation of living in such a world. The ability to procreate, to have children, would bestow great wealth and power to individuals with this biological blessing.

This nightmarish scenario is one of the many global problems our leaders are supposed to be working on. Failure to do so would condemn the human race to extinction. It’s as simple as that. Therefore, you will understand my recommendation for anyone interested in a medical career, social services career, or a public administration career to read this book. It’s a fantasy that could turn into a nightmare.

Intellectually and emotionally, this is challenging reading. On a third level, it is enough to take one look at the book covers to understand that it can not avoid dealing with human sexuality, in all its forms. Why? Because for the inhabitants of such a world, what will be uppermost in your mind is having sex, not so much for pleasure, although we humans are “hardwired” that way, but for procreation. The idea behind all the fornication is to save the human race, and at the end of the day, that’s quite a noble undertaking.

And this is the point where I will conclude this book review by saying, five stars!

5.0 out of 5 stars

EPILOGUE

Author’s Bio

For this last section, please indulge me dear reader(s), but I’m not going to go to the author’s bio on Amazon for this feature. I’m going to do what any self-respecting reviewer would do, who has a deep admiration and respect for the work of the author who he is reviewing. I’d like to share with you something pesonal about this author who has given me countless untold hours of reading pleasure.

Writing

Janet MorrisJanet Morris began writing in 1976 and has since published more than 40 novels, many co-authored with her husband Chris Morris or others. Her debut novel, written as Janet E. Morris, was High Couch of Silistra, the first in a quartet of character-driven novels with a female protagonist.

According to original publisher Bantam Books, the Silistra quartet had over four million copies in print when the fourth volume, The Carnelian Throne was published. Charles N. Brown, Locus Magazine, is quoted on the Baen Books reissues of the series as saying, “Engrossing characters in a marvelous adventure.”

Morris has contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes.

She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel,The Little Helliad, with Chris Morris.

Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels.

Her 1983 book I, the Sun, a detailedbiographical novel about the HittiteKing Suppiluliuma I was praised for its historical accuracy.

O.M. Gurney, Hittite scholar and author of “The Hittites,”commented that “the author is familiar with every aspect of Hittite culture.”

Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on non-lethal weapons, developmental military technology and other defense and national security topics.

Horsewoman

Janet Morris and UVM Christine.JPGA lifelong horsewoman, Morris and her husband breedThoroughbreds and also maintains a World-Champion producingMorgan Horse breeding program.

Her foundation mare, UVM Christine (pictured left) won Morgan Grand National Champion Four-Year-Old Mare, World Champion Senior Mare, and Reserve World Champion Mare in 1998.

Other Grand National and Reserve Grand National and World Champions followed, including Reserve World Champion and Reserve Grand National Champion Park Horse, Pastorale in 2001 and 2002; homebred Grand National Champion Morgan Snaffle-bit Reining Horse, Spring Diva, in 2003; Grand National Champion Pleasure Driving Horse Burkland Rafinesque in 2008; and homebred Privilege, World Champion Western Pleasure in 2014. The Morrises’ Morgan breeding program was featured on the cover and in a profile article in Equine International in 2009.

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