As part of the interviews discussing all parts of reading, writing and enjoying great books today something new. Audio books. Audio books have been around for ages – I have copies on cassette tape (yes remember those?) and one on CD but now most are MP3 and far easier to listen to than having to change the tape every 30 minutes!
As the first of these interviews I am very pleased to welcome Chris Morris, author, musician and audio book narrator.
Welcome to Christopher Crosby Morris
Tell us a bit about yourself: I am all about sound. Most of us can hear farther than we can see and have deep sound vocabularies we seldom consciously bring to bear in appreciating more of all that goes on in our lives. My mission is to wake people to the enhanced quality of life available through fully developed hearing.
How did you become involved with audio book narration and production? We read aloud as part of our writing process, often repeatedly, until our prose is properly voiced. Telling stories, whether in prose or song, is a listening sport. To be able to produce our written works in audio versions completes our audience’s spectrum of storytelling accessibility and for many provides a more profound experience than reading. Plus, I know the sorts of nuance each character brings and can impart something of what they’re like at the nonverbal level.
Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? At some time or other I’ve read our entire catalogue aloud, rehearsing you might say. My favourite is I, the Sun, which is next up in our production queue.
Do you have a preferred genre? Do you have a genre you do not produce? Why is this? I prefer heroic fiction. I do not/will not read dystopian material because it stifles growth of character, which is our destiny.
What are you working on at present/just finished? At the moment I’m reading Roy Mauritsen’s Shards of the Glass Slipper: Queen Cinder. I’m narrating it as I read it for the first time, so it had better be heroic or I won’t read the next one.
Tell us about your process for narrating? I read a chapter at a time on my Kindle Fire HD. I review the day’s material and highlight the names of the speakers to avoid mixing them up on the fly. I record in Adobe Audition and, when I misspeak, pause a moment, press the ‘M’ key to leave a marker, then immediately read the passage again and continue; I find it easier to go back later and edit at the marker points than to stop the bus, excise the offending bit, and then punch in to begin again; it’s about flow and rapport and technical interruptions can quickly degrade one’s performance.
What aspects do you find most enjoyable? A point comes when I disappear and the story takes over, although I’m emotionally immersive and a section fraught with feeling can throw me off centre enough to leak into the voice and one has to stop and regroup at such a point; I’m steeling myself to deal with some of the death scenes in I, the Sun. So what’s enjoyable is being the voice of moments that transcend considerations of normalcy and possess the scope to portray extraordinary circumstances to the audience.
Do you consider royalty share when looking for books to narrate? If not why is this? Yes.
Do you listen to audio books? I listen to anything narrated by Derek Jacobi or Jeremy Irons; I also admire Alex Hyde-White’s narrations.
With many people owning MP3 players do you think this is the future of storytelling? Yes. But see below..
Why do you think audio books are becoming so popular? Audio storytelling, rather than being something new, is returning to us something very old in our DNA, the wonderment of gathering to hear a voice fill the darkness and elicit our participation in a tale as we imagine what we hear. All the world’s cultures need this very much now. The spoken word is primal in its power to involve us and, properly uttered, humbly magnificent, the grandparent of our better selves.
Can you remember the first audio book you owned? Jiminy Cricket (Cliff Edwards) narrating the Adventures of Pinocchio.
If you are an author, do you produce your own audiobooks or do you prefer to look for an independent narrator? Why have you made this choice? Before committing to produce our own audio books we signed up on the ACX site and began sampling the narrator talent there, which is considerable. We engaged Alex Hyde-White and David Kudler, both of whom gave us singular performances of shorter works and were supportive when I mentioned I’d like to give narration a go.
What I bring to narration is musicality. Good singers proceed from a natural speaking voice to the edges of register, tone, and volume their rendition of a piece requires; narration is similar but with the added consideration that one’s ‘piece’ is a lot longer than the average song and that ‘guest voices’ have to be incorporated into the narrator’s own. Listening to others sing my book pushed me right over the cliff.
By the time I finished my first run through of The Sacred Band, I had learned to produce an anchor voice – a centre sound – to carry all the exposition and yet have enough scope to inflect humour or suspense and other tensions when called for. We all have this ability and developing it is my lifelong fascination.
Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) So far so good. What I like most about ACX is the amount of homework they’ve done to address the needs of all the parties to a production. Since the audio book form is newly resurgent there isn’t the lore or fading dominance of crumbling “big houses” of audio book publishing – they’ve simply never existed – and ACX has a band of brothers feel to it at the moment that I like. Hope it lasts.
Have you ever had a negative experience producing a book? Not really. You do learn very quickly what your articulation preferences are. Glottal stops are unacceptable. Regional dialectics wear thin rapidly. Vocal caricaturization, if I may coin a term, or cutesy voices drive me straight into the arms of my nearest dog.
Please tell us a silly fact about yourself. I always wanted to be lanky.
Where can we hear your audiobook? You can hear a free sample of my new audiobook, The Sacred Band, written by Janet morris and Chris Morris and narrated by Christopher Crosby Morris, on Audible.com at: http://www.audible.com/pd/Sci-Fi-Fantasy/The-Sacred-Band-Audiobook/B00MU2VCEO/
or on Amazon at: http://www.amazon.com/The-Sacred-Band/dp/B00N1YRVH2/
What will you be narrating next? After I finish Roy Mauritsen’s Shards of the Glass Slipper: Queen Cinder, I am scheduled to narrate I, the Sun by Janet Morris, Outpassage by Janet Morris and Chris Morris, and then Beyond Sanctuary by Janet Morris.
You are also an accomplished author and prose editor. Where can find books you’ve edited, and some of your books and stories? I have many published stories. Some of my most recent short fictions appear in the following anthologies, some of which I edited. [These links are for Amazon Kindle, but most titles are also available in trade paper on Amazon, and in electronic editions on Nook as well as Kindle.)
My novels co-written with Janet Morris are available on Amazon and Barnes & Noble in Kindle, Nook, and trade paper editions. They include but are not limited to:
Where can we learn more about you?
My music is very important to me. Because you asked how to learn more about me, I recommend you sample my most recent album, available as MP3 Music and on CD at Amazon: http://www.amazon.com/Everybody-Knows-Christopher-Morris-Band/dp/B004GNEF3A/
You can hear more of my music on: https://soundcloud.com/christopher-morris
You may read about my history and see my bibliography at: http://en.wikipedia.org/wiki/Chris_Morris_(author)
Social Media links for Chris Morris (Christopher Crosby Morris):
For other interviews with Chris and Janet and their characters please look here: